Monthly Archives: October 2014
Ever since Saul Reichlin who currently makes his home in England began touring his one man shows based on his adaptation of Sholem Aleichem’s stories, Saul recognized he had found a global niche. Audiences love to laugh at human foibles. They appreciate peasant ironies. Both are abundantly represented in Sholem Aleichem’s works. Saul realized that the simple and rich story telling by characters universally identifiable resonated with audiences whether they were Jewish or not, whether his shows were in the UK, Spain, South Africa or in the US.
Saul Reichlin has enjoyed bringing Sholem Aleichem’s characters to life in 35 cities and in 8 countries, initially with Sholem Aleichem…Now You’re Talking. In the last few years he has energized the Jewish storyteller’s works into a new adaptation, Roots…Shmoots! It would appear that Sholem Aleichem and Saul Reichlin go together like bagels, cream cheese and lox. It is just like the matchmaker (a beloved character in Sholem Aleichems’s stories), Yenta (Fiddler On the Roof), says, referring to a couple she wants to bring together, “It’s a perfect match!”
I was fortunate to see Saul Reichlin’s facility with portraying a myriad of Aleichem’s characters in his funny and poignant one man show Roots… Shmoots! which played at the Corneilia Street Cafe in September of 2014. The downstairs theater was packed and the audience received Reichlin’s portrayals with guffaws of laughter and hearty applause. Reichlin’s one man show most probably would have continued past its slated run if Saul didn’t have an engagement in Chicago. As it was, the Cornelia Street Cafe squeezed in a date for an additional performance since the demand warranted it; Roots… Shmoots! which was supposed to run only one night ran a second night to an enthusiastic crowd.
The testament of why Reichlin’s productions which have won awards are popular is clear. Audiences need to laugh at a time when entertainment has become ridiculously pricey. Oftentimes, funny, heartfelt shows are hard to recognize amongst a smattering of trending questionable productions whose humor lacks originality and duplicates sitcoms and situational comedy “funniness”which is tiresome and predictable. Sholem Aleichem’s humor is refreshing with subterranean twists erupting with wisdom, irony and wit. It is stimulating and its vibrance engages the audience. Saul’s adaptation as the narrator who spins off the representative characters to tell their stories and interact with the narrator/observer, never fails to amuse. This is largely due to Saul’s relaxed and comfortable manner fluidly switching from one character to the next playing all the roles.
One person shows are tricky. Nevertheless, Saul has mastered the form because of his extensive acting experience. There is one more element that makes for his rousing success. He has perhaps channeled and bonded with the author known as the Jewish Mark Twain. He presents the very real characters authentically so that we are able to visualize them and recognize elements the characters demonstrate as ones inherent in ourselves. The setting may be tiny rural towns in the Ukraine, but the situations and the human factor are parallel to our time. That Reichlin recognized the beauty and coherence of the past as current in Aleichem’s characters and work so that he is able to make them be felt and touched in our hearts is a gift of love from Reichlin translated from Aleichem to us.
You can keep up with Saul Reichlin’s work at his link: Saul Reichlin.
If you’d like to read more about this man who has fostered the knack of connecting us with the depth of human wisdom and folly manifested through Sholem Aleichem’s characters, see this link on Blogcritics. Saul is currently working on setting a performance schedule for The Good and The True, a production about the uplifting true life story of Milos Dobry and Hana Pravda, two Holocaust survivors. Saul performed the role of Milos Dobry this summer at the DR2 Theatre.
For my review of The Good and The True, click this link.