As a result of the pandemic, the New York Botanical Garden has changed its approach regarding its annual orchid exhibition. In keeping with safety and security for New Yorkers, Garden members and guests, the annual Orchid Show will return in 2022. As a replacement, the Garden is focusing on a personal and close-up view of orchids without the fanfare, showiness and crowds.
This year unusual orchids and other plants from NYBG’s permanent collections will be displayed in select galleries of the Enid A. Haupt Conservatory on February 20–April 4, 2021.
Continuing with reduced indoor capacity, The New York Botanical Garden (NYBG) is forgoing its traditional orchid exhibition presenting a limited Spotlight on Orchids and other permanent plant collections in the Enid A. Haupt Conservatory. A visit to select galleries of the Conservatory will reveal displays of orchids in brilliant white and striking colors set against the foliage of aroids, ferns, and bromeliads. The plantings highlight how the orchids might be found in nature as they blend seamlessly with their surroundings.
The approach brings attention to orchids in their habitats and emphasizes investigation of orchids as one of the largest of plant families in their their variety with differences in their shape, size and color to attract pollinators. Orchids thrive on every continent except Antarctica and can be found even the desert gallery of the Enid A. Haupt Conservatory.
As visitors walk through the various galleries, they will be able to view and explore unique orchids from NYBG’s renowned collections from around the world. The Garden is known for its rare orchids. Don’t forget to take a long, lingering look at the glass case between the galleries where many of the Garden’s rare and small orchids enjoy their special, controlled environment. Also, check out the artful floral creations. These are fashioned by Botanical Garden horticulturists. The creations combine expressive orchids from the popular Moth orchids (Phalaenopsis) to lady slippers (Paphiopedilum) with rocks, tree trunks, vines, and other found materials.
NYBG looks forward to the return of its annual Orchid Show in 2022.
The Spotlight on Orchids runs from Saturday, February 20, through Sunday, April 4, 2021; 10 a.m. to 5 p.m.
Tickets for Spotlight on Orchids is open to all visitors with the purchase of an advance, timed Garden Pass + Conservatory ticket, which includes access to the Enid A. Haupt Conservatory and outdoor gardens and collections. Click on http://nybg.org/visit for more information or tickets.
The New York Botanical Garden is presenting its expansive 2021 exhibition, KUSAMA: Cosmic Nature. The internationally celebrated Japanese artist Yayoi Kusama is being featured for the Spring season since the exhibit was postponed in 2020 because of the COVID-19 pandemic. The exhibition includes four experiences that will debut at the Garden which is the exclusive venue for KUSAMA: Cosmic Nature. The exhibition will be installed across NYBG’s landscape, in and around the Enid A. Haupt Conservatory, and in the LuEsther T. Mertz Library Building. Timed, limited-capacity tickets for the landmark presentation go on sale to the public March 16, 2021, at https://www.nybg.org/event/kusama/
KUSAMA: Cosmic Nature
KUSAMA: Cosmic Nature Members-Only Benefits
- Exclusive Member ticket Pre-Sale, March 11-15
- Complimentary exhibition and Garden admission – visit again and again, for free!
- Exclusive Members-Only Preview Day, April 9
- At the Patron Level, enjoy the best of the exhibition with a dedicated Patron pre-sale beginning March 9, complimentary Infinity Mirrored Room tickets when interior access begins, and special viewing opportunities.
Experience Yayoi Kusama’s profound connection with nature
Contemporary Japanese artist Yayoi Kusama is one of the most popular artists in the world, drawing millions to experience her immersive installations.
Exclusively at NYBG, Kusama reveals her lifelong fascination with the natural world, beginning with her childhood spent in the greenhouses and fields of her family’s seed nursery. Her artistic concepts of obliteration, infinity, and eternity are inspired by her intimate engagement with the colors, patterns, and life cycles of plants and flowers.
Explore Kusama’s eternal love for plants
Spectacular installations feature Kusama’s multifaceted art, including monumental floral sculptures that transform NYBG’s 250-acre landmark landscape.
Across the grounds, discover installations that include the artist’s legendary Narcissus Garden (1966/2021) in the Native Plant Garden. Nearby, marvel at Ascension of Polka Dots on the Trees (2002/2021), where soaring trees are adorned in vibrant red with white polka dots. The horticultural spectacle across the landscape changes throughout the seasons, with tulips and irises in spring, dahlias and sweetpeas in summer, and pumpkins and chrysanthemums in fall.
In and around the Enid A. Haupt Conservatory, Kusama’s work comes to life through a seasonal progression of violas, salvias, zinnias, chrysanthemums, and other colorful annuals, while her plant-inspired, polka-dotted sculptures are nestled among meadow grasses, bellflowers, and water lilies, including Hymn of Life—Tulips (2007) in the Conservatory Courtyard Hardy Pool. Her mesmerizing Pumpkins Screaming About Love Beyond Infinity (2017) is on view in the Visitor Center gallery.
In the LuEsther T. Mertz Library Building, explore paintings, biomorphic collages, sculpture, and works on paper inspired by Kusama’s deep knowledge of nature, and in the adjacent Ross Gallery, enjoy Walking Piece (ca. 1966), a multiscreen digital projection of a performance work from the artist’s collection.
See new monumental and immersive works
New monumental sculptures Dancing Pumpkin (2020) and I Want to Fly to the Universe (2020) make their debut in the NYBG landscape. They join the artist’s first-ever obliteration greenhouse, Flower Obsession (2017/2021).
Patron pre-sale begins March 9, 10 a.m. ET
Member and Corporate Member pre-sale begins March 11, 10 a.m. ET
Public tickets on sale: March 16, 10 a.m. ET
FOR TICKETS GO TO THE FOLLOWING LINK
As an outdoor color and light show in the evenings, New York Botanical Garden has been presenting Glow. Sauntering along the paths of the Garden with the Enid A. Haupt Conservatory as the focal point, the shades of color illuminate the pine trees and create an otherworldly aura throughout. The beauty of Glow is that it is outdoors and there is no crowding with lots of room to spread out in safety.
Washes of brilliant colors, thousands of dazzling, energy-efficient LED lights, and picture-perfect installations fill the Visitor Center Reflecting Pool and magically energize surrounding gardens and collections. As part of the experience, visitors can also enjoy artistic ice sculptures; music; roving dancers, including a Hip Hop Nutcracker NYBG remix; and more outdoor fun. To warm up and add satisfaction to your appreciation of GLOW, you can have a hot chocolate or latte at the Pine Tree Cafe with other treats and sandwiches, pizza and Paninis.
In accordance with New York State and City requirements for cultural institutions and safety protocols that include limited ticketing capacity and social distancing, timed-entry tickets for NYBG GLOW must be purchased in advance.The new, limited timed-entry ticketing system staggers visitors’ arrivals, promotes social distancing, and mitigates the risk of crowding in high-traffic areas.
More information about NYBG’s enhanced safety protocols, including a “Know Before You Go” video, is available here.
Dates left to get tickets: Friday, January 8; Saturday, January 9; Friday, January 15; and Saturday, January 16, 2021. Glow takes place during the hours: 5–10 p.m.
Timed-entry tickets for NYBG GLOW must be purchased in advance. General admission is $30 for adults and $18 for children two to 12. Children under two are admitted free. Admission for Garden Members is $20 for adults and $10 for children two to 12. Visit nybg.org for details and to purchase tickets.
NYBG Glow ends on Saturday, 16 January. You still have time to visit this gorgeous winter celebration at the Garden. Don’t miss it.
New York Botanical Garden is Reopening The Outdoor Gardens and Collections to the General Public July 28
Today, The New York Botanical Garden announced its schedule to reopen the outdoor gardens and collections of its 250-acre site to the general public on Tuesday, 28 July. The process has been a gradual one as New York City achieves New York Forward’s Phase Four which is projected to begin 20 July. The Garden’s reopening plan is mindful of protocols that pertain to businesses and cultural institutions. It follows CDC guidelines regarding protecting visitors from COVID-19 transmission. The Garden’s protocols involve safety measures that encompass State and City requirements and OSHA requirements.
As a part of Appreciation Week July 21-26 the New York Botanical Garden is welcoming Garden Members and Bronx Healthcare Heroes from the eight public and private hospitals in the borough. Also included are Bronx Neighbors with “first access” and complimentary tickets for free admission. This reopening including “Appreciation Week” is contingent upon Governor Cuomo designating New York City as fulfilling the requirements for the Phase Four opening.
All visitors, including Members, must purchase or reserve timed-entry tickets in advance. All visitors must be wearing masks.
APPRECIATION WEEK REOPENING is from July 21, Tuesday – July 26, Sunday from 10 a.m.-6 p.m. GET TICKETS BY CLICKING HERE
Through its Appreciation Week initiative, the Garden acknowledges its gratitude and recognizes the dedication, strength, and resilience of Bronx frontline health care workers and residents. These are the workers that residents remember daily around 7:00 pm with cheers, shouts and a clamor of pots and pans for their great sacrifice to help patients through the terrible journey of overcoming this virus which is still not understood. Complimentary admission for those groups will continue through September 13.
New Yorkers will be coming from all the boroughs to seek respite and renewal at NYBG. They have gone through a hellacious time (characterized by Governor Cuomo) these past months sacrificing under quarantine. Together, all New Yorkers were united, disciplined, smart, tough and loving as they confronted an unprecedented crises in their lifetimes and brought the highest COVID infection rate in the world to one of the lowest in the nation.
The Garden is the place to be in July. It is one of the most gorgeous, historic and extensive botanical gardens in the world. Not only is it an urban oasis, it is a cultural, living artifact which has become a moral imperative, a haven for every season, and a New York City treasure anchored in the Bronx. Currently the Garden landscape features vibrant daylilies, hydrangeas, water lilies, and lotuses among its one million plants. Walking paths and trails crisscross the Garden providing opportunities for discovery through encounters with nature.
FOR YOUR SAFETY
The Garden has a TIMED ENTRY. FACE COVERINGS ARE REQUIRED. There is SOCIAL DISTANCING.
There is CONTINUAL CLEANING AND DISINFECTING. There are DAILY STAFF HEALTH CHECKS.
Know Before You Go
- Reduced Garden capacity and amenities. For the safety of visitors and staff, NYBG closed indoor spaces and any collections where social distancing is not possible. Water fountains and bottle refill stations are deactivated. Please bring your own water, or purchase water at the Pine Tree Café.
- Enhanced cleaning and disinfecting practices. Garden staff are sanitizing surfaces such as tables, handrails, and door handles regularly.
- Sanitization stations. Hand sanitizer has been placed throughout the Garden. All visitors and staff must practice proper hand washing procedures.
- 250 acres to explore. Enjoy seasonal highlights in the Chilton Azalea Garden, Native Plant Garden, Perennial Garden, Conservatory Courtyards, Rockefeller Rose Garden, and most other outdoor collections and trails. Dress for the weather and wear comfortable walking shoe
- Grab-and-go food service only. Limited food and refreshments are offered for carry-out at the Pine Tree Café. Outdoor seating is available.
- NYBG Shop is open. The Garden has adjusted shopping and checkout processes to provide the safest possible experience.
- Mobility considerations. Wheelchair loans and the Tram Tour are suspended. If you require a mobility device, we ask that you bring your own.
An inherent risk of exposure to the coronavirus (COVID-19) exists in any public space where people are present. People visiting The New York Botanical Garden do so at their own risk as to such exposure as well as other risks inherent to outdoor public spaces. We will continue to monitor state and city guidelines to inform the Garden’s operations.
For more information about the NYBG and the 28th JULY PUBLIC OPENING, CLICK HERE.
The New York Botanical Garden is conducting its next Facebook Watch Party, “Journey Through Spring II ” this week. The sequel to NYBG’s popular virtual walk through its spectacular Spring highlights takes place on Thursday, May 21, at 12 p.m. Look for the Facebook Watch Party: “Journey Through Spring II ”
For this event Todd Forrest, Arthur Ross Vice President for Horticulture and Living Collections narrates the most recent spring footage at the Garden. The video update is gorgeous as Todd chronicles the budding and blossoming throughout NYBG’s spectacular historic landscape from late April through mid-May.
The virtual walk features sweeping panoramic and aerial views across NYBG’s 250 acres and intimate close-ups of its magnificent gardens and collections. You’ll be able to immerse yourself in clusters of white and purple lilacs; lush peonies; late-spring perennials, grasses, and bulbs; and many more seasonal sensations during this Facebook Watch Party.
Todd Forrest is particularly suited to discussing the virtual walk. In his position he is responsible for the Horticulture Division’s programs and activities. He oversees the grounds, 50 gardens and living collections, horticultural exhibitions, and a staff of 80 managers, curators, gardeners, and community horticulturists. Forrest also advises on long-term strategy for the Garden’s 250-acre landscape.
As New York State works to align the economy with opening up safely during the 2020 COVID-19 crisis, NYBG will do the same, always keeping in mind the safety of its patrons who, in the past, didn’t mind the crowds. Today, however, it’s all about stemming the outbreak of COVID-19 which took the US by surprise since the Pandemic Office was defunded and closed down in 2018. In addition to that tragedy, the personnel hired to monitor pandemics from the previous administration were fired. And the reports and informative Pandemic Bible that gave guidance on the steps to take if a pandemic ever broke out in China or Africa was shelved
One can only imagine how different things would be for this nation and globally 1) if the Pandemic Office had not be closed; 2)if the monitoring personnel had been kept on; 3) if the informational pandemic Bible not been disregarded. We would be enjoying the crowds at the Garden and relishing the Kusama: Cosmic Nature exhibit which was to run through the summer and now has been postponed until next year if possible.
New York was left with handling an influx of infected individuals coming from Europe, but it has been doing an excellent job of bending the curve to zero as the rest of the country deals with a rise in COVID-19 positive cases and increase in death rates. Thus, in light of the pandemic, New Yorkers are staying safe and NYBG remains closed. All in-person events, on-site programs and classes, and exhibitions have been suspended. The necessary action complies with public health guidelines issued by federal, state, and local governments and the CDC to support stringent efforts to contain the spread of COVID-19 and limit the unnecessary deaths exacerbated by a dilatory federal response that continues to this day.
However, we look upward and know we will return having learned important lessons to not repeat this unprecedented global crisis again. Looking to experts and science, the NYBG during this period is having essential staff continue to provide expert care for NYBG’s living collections as they maintain the operations of the Garden’s 250-acre landmark landscape.
Thankfully, though the Garden’s gates may be closed temporarily, the virtual gates provide all access. The Garden invites all globally and those near and far to check in online to the NYBG site to feel refreshed despite the news that COVID-19 rates nationwide are rising and many of the states are reopening without sufficient testing and contact tracing in place to contain the spread of COVID-19.
Fortunately, New York Governor Cuomo is making sure to hit target criteria to open up all aspects of the state but with wisdom and guidance so that New Yorkers will be safe during this challenging time.
Make sure to visit “Journey Through Spring II” to check how the Garden collections are blossoming and burgeoning during this Spring of 2020. The Watch Party is Thursday, May 21, 2020 at 12 p.m. on this link: https://www.facebook.com/events/703724287108198/ The virtual event will also be available on NYBG’s website nybg.org/nybg-at-home/.
Information about NYBG’s other virtual events and additional digital content is at this link.
New York Botanical Garden is helping New Yorkers and global fans enjoy Spring in New York by maintaining social distancing during New York “Pause.” They have been holding online watch parties and have kept their virtual programming alive to involve those sheltering at home with interactive events and online classes that stream via YouTube.
While the Garden’s gates may be closed temporarily, their virtual gates are wide open. The Garden invites its community near and and far to stay connected during this challenging time. Earth Day 50 with NYBG at Home is one way to do that.
New York Botanical Garden is growing bountifully with springtime beauty. We are not able to appreciate it live and in our mortal flesh at this time because of the ferocious virulence and communicability of Covid 19. The Garden is temporarily closed as all non essential services in New York City are doing to practice social responsibility and save lives.
However, the Garden is online and broadcasting via virtual platforms. For the springtime beauty of the magnolias, CLICK HERE.
Jeff Leatham’s Kaleidoscope, The 18th Annual Orchid Show at the NYBG is also presenting a pre-recorded tour given by Marc Hachadourian, head orchid curator and orchid expert at the Garden. The tour features each of the galleries and Jeff Leatham’s vision of the wild colors manifest in a kaleidoscope employing his superb horticultural artistry and brilliant design. For Marc’s virtual tour, CLICK HERE. And for my review of the show with photographs taken in February, CLICK HERE.
Whenever I become nervous or stressed at night, contemplating the news of what is happening in New York City and globally, I do one of two things to calm down since jokes are not seeming to help at this time. I go to Youtube and watch Governor Andrew Cuomo with his brother Chris (pray for Chris, he tested positive for Covid 19) as they kid around and take loving jabs at each other with rapier wit and gentle insults.
Playing back Governor Cuomo’s daily record of the state’s progress to save lives as together we take on the responsibility to extirpate this plague from the planet, I feel emotionally calmer. I swear his father’s spiritual presence is there strengthening him for this incredible challenge to lead the nation as THE go-to governor in the forefront as New York is in the forefront of this virus with the most cases to date. It is Cuomo’s calm, commanding truthfulness as he uplifts the values of love and the sanctity of life that makes a tremendous difference to me as I shelter in place. During this historic time his stolid example and his stories of his family and the interplay with his brother have helped me reaffirm, even relearn the treasure of my own life and the preciousness of friends and family.
Secondly, I take Marc’s tour to witness the beauty of the Garden and orchids which I adore. I reviewed Jeff Leatham’s work on this blog when it opened in February. Then, the orchid placement was different in some of the galleries. In the Desert gallery I am happy to see that the poppies are blooming which they were not earlier in the year. After I watch Marc’s tour I have decompressed. I am ready to fall asleep as the beauty of the orchids, Jeff’s horticultural artistry and Marc’s soothing voice restore me to an inner state of peace.
Also, the Garden is sharing one of its most memorable live performances in a Facebook Watch Party on Wednesday, April 1, beginning at 1 p.m. EDT. Chorus of the Forest, a site-specific work by composer Angélica Negrón, premiered last November in NYBG’s 50-acre Thain Family Forest, the largest remaining tract of old-growth forest in New York City.
Weaving together choral performances, robotic and percussive electronic instruments, and live and recorded forest sounds, this immersive, specially commissioned work was performed along a half-mile of trails. This choral and instrumental experience was created to explore humanity’s relationship with the forest and our connections–and disconnections–with nature.
Negrón, a Puerto Rican-born multi-instrumentalist who was NYBG’s 2019 Composer-in-Residence, will join the Facebook Watch Party for a live chat during the screening to discuss this ambitious project and answer viewers’ questions.
Take a break from the news when you can and enjoy the Watchbook Party by CLICKING ON THE LINK BELOW.
The Medieval 21st century plague of Covid 19 has swept into the United States with insidious tyranny. Sadly, with insufficient testing, the nation doesn’t realize the extent of its invisible spread, just yet.
However, New York State Governor Andrew Cuomo and New York City Mayor Bill Di Blasio are aware of the implications of the tragic events in Italy as that country goes into more weeks of quarantine. Thus, these prescient and dynamic New York leaders with the efforts of our heroes in the medical professions and essential services, are making the invisible visible with massive testing.
New York is to be commended for being in the forefront to scale up the protocols, supplies, research and data to nail down this nefarious, highly communicable virus and siphon off its power so that its replication in New Yorkers is incapacitated, and its ability to kill even the most vulnerable is obviated.
To the left is a photo of The Plague Doctor’s outfit circa 1650 in Edinburgh, UK which I took from a tile I purchased after a tour underneath the streets of Edinburgh, in the Old Town. The tour was amazing. It featured how the denizens of the city lived during the 1700s and revealed how they confronted the terrible plague which wiped out a goodly number of city dwellers. The uncertainty about what was causing the disease (the flea on the rats who lived in close proximity with citizens) led many to escape to safety in the country for fear of contagion. Those who had the means to leave, left. The remaining citizens suffered and died or caught it and recovered, or never caught it at all because they practiced quarantines or had the antibodies to keep the disease at bay.
The Plague Doctor’s outfit was the hazmat suit of the time that protected the wearer. The bird like beak held curative herbs (rosemary, lavender, hyssop, marjoram etc.) that the doctor breathed in, an unwitting prevention which stopped their inhalation of droplets of contagion which would move into their respiratory system and infect them.
Of course, curative plants, herbs like those found in the NYBG Nancy Bryan Luce Herb Garden. were used extensively in teas, tinctures, etc., and in the toolkit of the practitioner of the healing arts. The herbs listed on the page of the Nancy Bryan Luce Herb Garden are examples of prodigiously used herbs which were thought to be helpful in staving off contamination.
In the 21st century we are light years away from such a crisis, and yet our Covid 19 plague has strange reflections of that time in the “sheltering in place,” “hunkering down” and “pausing” that the proactive states in the nation have enacted so that all but essential services and workers must stay inside. In California, New York, Ohio, Illinois and Louisiana, this pertains if individuals are in an age range of 65 and older while all others practice social distancing, social responsibility and self-discipline to self-monitor and not congregate anywhere whether on street corners or in parks. Surely, if other states follow, effectively managing this highly communicable pestilence Covid 19 will happen sooner than later.
During this time until it opens its gates once more, New York Botanical Garden offers hope, beauty, resilience and peace, the immutable themes it displays year-round. In these extraordinary times, these spiritual powers resonate more than ever. The Garden as a place of emotional healing continues to stand as a hallmark that we who live in New York City and New York State and those who visit from around the world, can be nourished soulfully during this gravest of pandemics. Currently, the Garden provides an online beacon of light as it flourishes during glorious spring. The Garden’s virtual offerings are an antidote to calm troubled souls and stressed spirits.
First, their new content page is on NYBG.ORG CLICK HERE. This page provides a way to stay connected to the Botanical Garden through our collections’ digital resources, creative educational programs, and other online offerings. For the home site NYBG At Home CLICK HERE.
As spring unfolds, NYBG at Home will showcase the brightness and color seasonal spectacle. On March 20, the first day of spring, they presented a brief “first day of spring video walk” around NYBG’s grounds. The video can be viewed: CLICK HERE.
Through NYBG at Home, plant lovers can find out about upcoming virtual events such as a Facebook Watch Party video tour of The Orchid Show: Jeff Leatham’s Kaleidoscope on Wednesday, March 25, at 12 p.m. EDT. The site also provides convenient, one-click links to NYBG’s blogs; the digital collection of NYBG’s LuEsther T. Mertz Library; teacher resources; plant-based, kid-friendly recipes; ways to get involved in virtual research projects; and much more. The Garden hopes it will be a reminder of how the natural world brings joy and a respite from troubles.
We do not know how long we will be monitoring each other, collaborating to keep everyone across the global as safe as possible and as healthy as possible through our social responsibility. It is a domino, butterfly effect. What we do here will impact our neighbors across the Pond, in Europe, in Oceania, in Asia and other places around the world. If we keep ourselves healthy with social distancing, we reveal our care and concern for our brothers and sisters in our human family. One way to keep our souls enriched is through visual online viewing of beauty and peace. Plants are our key. They can be silent representatives of love if you open your souls to them. Keep yourselves safe=healthy and enjoy the Garden. Together, we can get through this as we watch each other’s backs and remain uplifted. #plantlove
The New York Botanical Garden’s Orchid Show is in its 18th glorious year and it is amazing. One reason why is because of this year’s show designer, the imminently creative original Jeff Leatham.
Board members from the NYBG were familiar with Jeff Leatham’s work and thought he would be a great fit for the NYBG orchid show since his floral designs encompass orchids, the loveliest of flowers. When he was contacted, he jumped at the opportunity enthusiastically, visited the Garden in July, solidified his ideas and arrangements were made.
If you have been to Paris, France and stayed at The Four Seasons Hotel Georges V, you will see Jeff’s designs. He is their award-winning artistic director. He also has studios at the Four Seasons Hotel Philadelphia at Comcast Center and the Four Seasons Hotel Los Angeles at Beverly Hills. Jeff Leatham is a renowned lifestyle icon and impeccable floral designer to the stars.
If you asked him as a teenager what he wanted to do with his life, he would have said he wanted to be a model. Interestingly, his career has morphed into something more profound, but it includes a form of modeling as well because Jeff often photographed with his unique designs.
At twenty-four Jeff began his career with the Four Seasons starting with flower petals. It was then he knew he had found his raison d’etre with floral design. He has been with them ever since exploring his passion for design and flowers.. His one-of-a-kind displays move in the realm of the dazzling spectacular that integrates with whatever the setting is. His creations include sculptures and these and his floral displays manifest the symbolic, bold and dramatic use of color and shape, yet embody an elegant simplicity.
Jeff Leatham’s designs are completely original and stand out as such. Individuals who want to hire him to feature a design for their wedding that is like “so-and-sos,” Jeff, with a smile on his face will gently tell the individual that they should hire that designer. He will evolve a creation that is particular. Indeed, his signature, one-of-a-kind designs are his brand and people have come to know right away whether a floral design is a Jeff Leatham or not.
Jeff has produced his incredible floral exhibits in Paris for almost two decades and is so enamored by the French that in 2014 he was knighted with the Ordre des Arts et des Lettres, the highest honor for artists and those who make vital contributions to French culture. Jeff has appeared on television featuring his creations. His clients include Cher, Dolly Parton, Tina Turner, Oprah Winfrey, His Holiness the Dalai Lama and many others. They appreciate the specialness of his designs.
For the 18th annual Orchid Show, Jeff Leatham decided upon the theme of the kaleidoscope. He commented that he receives inspiration from kaleidoscopes because they represent infinity. The patterns and colors shift, never repeating themselves in variations that are starkly unique and particular; and they go on forever, the mutable immutable.
After the decision that the tent that had been up for The Holiday Train Show® would be taken down not to house the orchid exhibition, Karen Daubmann (Associate Vice President for Exhibitions and Public Engagement) mentioned in a brief chat with me that the staff and those involved with The Orchid Show like Senior Curator of Orchids, Marc Hachadourian were satisfied that this year’s orchid extravaganza with Jeff as lead designer, would encompass the entire conservatory.
Jeff worked the kaleidoscope theme beautifully, interweaving different colors staged with complementary hues in every gallery of the conservatory, save the Palms of the World Gallery. And the tunnel joining the two segments of the conservatory is the culmination of all the hues displayed in a fun and whimsical light show.
As you walk in the designated entrance that begins the exhibit, you will see the original, unique sculpture that Jeff created in his studio at the Four Seasons Hotel Georges V in Paris. Marc Hachadourian discussed with me that Jeff used his own orchid supplier from Europe for this gobsmacking living exhibit that shimmers with light and eye-popping purples, blues, pinks, fuchsias, complementary hybrid orchids with speckled white, purplish-black color combinations, whites and matching color derivative coordinates of Vanda orchids. These astounding Vandas are companioned with the popular and longer lasting phalaenopsis. The effect is visually breathtaking.
This first show gallery emphasizes the most myriad variety of Vanda orchids, that I’ve seen. They are happily perched up high so that they may flow down from a mammoth, laddered, rectangular trellis suspended from the show gallery ceiling. They are the perfect orchid for this structure because of their amazingly long roots and tendrils that soak up the moisture from the surrounding environment and require a flow of air around them. The effect with the Vandas sparking the color and the long roots hanging from the four-rung metal structure depending from above with the reflecting sculpture below offers a contrast. Vibrant colors are paired with their pale whitish roots that appear ethereal and lacy. It’s almost as if a garment fabricator sewed lines of lace to flow down from each mounted orchid. It’s a brilliant way to show the Vandas.
The sculpture is an orchid fountain mirror that reflects white light, the combined color of all the colors of the rainbow. It is the centerpiece in the round, underneath the metal ladder structure of striking orchid hues and flowing, lacy, filament roots. It is an intriguing and unique concept which gives the orchid sculpture a refracting power similar to a lustrous diamond. Jeff designed this for the Garden. And with the resplendent colors of the Vandas and coordinating phalaenopsis draped on the various rungs with accompanying greenery of the phalaenopsis leaves, you are left gazing with wonder at this stunning and memorable piece of living theater.
Present in this remarkable array of beauty are the Garden plants, ficus trees, shrubs, ferns that normally make their home at the Garden. Added are the bromeliades which Jeff has used as a representative of their own powerfully sculpted forms that are rich and lush in nature.
And on one of the plantings is the Vanda sunanda orchid named after Jeff Leatham by Ansu Vanda, an orchid nursery in the Netherlands in 2017. By naming this orchid after Jeff, the nursery hoped to celebrate and honor his indelible work that has enhanced floral design globally.
Orchids in this genus of the orchid family are available in every color of the rainbow. Jeff noted for us the almost black purple that speckles this Vanda named for him.
Jeff commented that he has a passion working for orchids because each seems to have its own unique and distinct personality that you want to feature and highlight. The orchid family is the largest family of plants in the world. There are 30,000 orchids in the wild. Growers in their ingenuity have hybridized over 100,000 orchids. They remain perhaps the most popular flower because of their exotic beauty, their tongue and face that entice moths and other insects to pollinate them. Orchids grow in every continent in the world except Antarctica. With global warming and the record warm temperatures in parts of the continent, this may change.
As you move through the conservatory, you will note Jeff’s interesting use of color. Next to the orchid sculpture gallery you move into “grasslands.” There you will note the displays of slipper orchids (Paphiopedilum) and Cymbidiums in bursts of yellow and white and a few slipper orchid hybrids tucked in with brownish faces.
There is an abundance of greenery looking indeed like tall grass as the cymbidiums flourish with their waxy large blooms and spiky leaves.
The next gallery is the desert terrain devoted to the Garden’s permanent display of desert plants. Jeff has an appreciation for the colors of the cacti and succulents and exotic desert flora in these two galleries.
He has placed coordinating cobalt blue bamboo poles to draw the eye-line upward. For the first time, I looked up at the tops of the magnificent cacti that I had never appreciated before. Normally, I would have raced through this area without the appreciation of the immense variety that the Garden has in its desert display.
Moving downward to the other part of the conservatory, Jeff Leatham painted the backdrop of the room that leads to the tunnel grey. He coordinated gorgeous pink and red lined hybrid phalaenopsis with unusual succulents for another amazing effect.
The grey background makes the colors of the plants pop. And in the display cases he did the same, drawing the eye inward to note the contrast using grey bamboo poles in a simplistic design invoking minimalism. Leatham uses Spanish Moss to tie in the concept of the design of lace filaments that depend downward and recall the Vandas flowing roots in the main show exhibit with the orchid fountain.
I love how every segment of the show in each of the galleries picks up design ideas in the previous galleries and threads them through the show in shape, color, pattern, materials to present a unified conceptualization.
In the Rainfroest Gallery, gorgeous green moss covering the rocks, the splashes of orchid color most naturally represent how orchids grow in the wild. Again the pinks and yellows from the previous galleries are represented. The orchids selected for their sizes and shapes are different from those that have gone before. Along the winding path is a celebration of less popular orchids that are harder to grow as if they might be found tucked away in a secluded forest’s mossy plot. These include a variety of Paphiopedilum and delicate snow drop orchids and others.
As the trail winds into a break, Jeff once again employed his sense of color to effect beauty. He had a structure painted a cherry color that threaded through the pinks and fuchsias of the phalaenopsis of the main gallery orchid fountain display.
Included in the show is the gallery where the most rare species of orchids are kept in a glass case. A number of these orchids may eventually be extinct since their habitats have been destroyed by development, deforestation and blatant disregard and inattention to the importance of conservation. The Garden is a world leader in plant research and conservation, using traditional and cutting-edge tools to discover, understand, and preserve Earth’s vast botanical diversity. They have saved orchids sent to them recovered from illegal orchid poachers.
I was sorry to see that The Orchid Show: Jeff Leatham’s Kaledoscope was coming to an end with the last two galleries. Jeff named the gallery with the fountain and hanging vines, Sunrise/Sunshine because of the bursting orange and yellows and whites. The fountain is still in the center, but it has been covered over by moss with a potted fern as the crown of glory.
This gallery and the last one are every bit as amazing as the former galleries. Jeff stated that he wanted “every gallery to be a different color experience as visitors move through them.” And that this experience would be reminiscent of “looking into a kaleidoscope.” We all have seen kaleidoscopes as children.
And with technology advancements, the designs are more elaborate than ever. Jeff stated that members and visitors to the Garden have seen the interiors of the Conservatory. But he wanted their experience to be different. “I want them to look through them (the galleries) like never before.” And in the last gallery, all the hues that Jeff displayed throughout the show are represented and the threads of designs are repeated. It’s like you’re looking through that kaleidoscope. However, it’s a living breathing wonderland of what reflects the infinite in color, texture, scent and myriad patterns. Just grand.
There are many events that pair up with the 18th Annual Orchid Show featuring the work of one-of-a-kind floral artist Jeff Leatham that you will not want to miss. The show runs from February 15 through April 19, 2020. For specific programming go to the NYBG website by CLICKING HERE.
Each winter tourists, visitors and New York City children of all ages look forward to the Holiday Train Show®, now in its 28th year. Because the dome on the Enid A. Haupt Conservatory is being refurbished, members wondered whether the NYBG would be having a train show. The Garden’s forward thrust of #plantlove ensures that the seasonal events of the Garden continue with prodigious care and ingenuity. The Holiday Train Show® presented at the Garden with Applied Imagination’s efforts and over 175 creations is one of the Garden’s traditions which would never be cast aside. Too many hearts would be broken.
This year the Holiday Train Show® offers a unique experience with 360 degree views in what looks to be a larger space. The theme showcases Central Park, the most well known and storied park in the nation, featured in films and plays because of its easy access and gorgeous fountains, spacious acreage and unique structures. The show has been characterized as an “immersive indoor winter wonderland” and is adjacent to the Conservatory. The structure created specifically to house The Holiday Train Show® is climate controlled. You will find it on the conservatory lawn and it is superb.
The history of Central Park featured in Ken Burns documentary on New York City replete with Robert Moses’ attempted interventions and fights with Joe Papp and his “upper west side moms” and fans who are credited with saving the sanctity of the Park’s area around Tavern-on-the Green is fascinating. Designed in 1858 by landscape architects Frederick Law Olmsted and Calvert Vaux, the Park is a sanctuary in the middle of Manhattan’s grid design and is truly a wonder. It offers a seasonal respite and refuge from the traffic and hurly burly of car horns, sirens and the humming, gyrating energy of Manhattan. Central Park is home to extensive wildlife species, birds and woodland creatures and even has sheltered foxes and coyotes visiting from the Bronx as they hunt for an easy meal.
One of the most popular favorites of the NYBG, the Holiday Train Show® is a cool place to go to celebrate the festivities of the season with friends, family and partners. Children, plant aficionados and collectors adore the trains. There are more than 25 G-scale model trains and trolleys which careen, chug, buzz and fly along almost 1/2 mile of track. They unceremoniously zip past model structures from all five boroughs of New York City, the Hudson River Valley and other historic locations in New York State, for example Tarrytown. What I always find gobsmacking are the incredible models, the gorgeous designs fashioned by the natural plant materials which are employed as unique architectural features.
For example shelf fungus, acorns, twigs, leaves, pistachio shells, barley seeds and pepper flakes are employed to construct the models. Can you divine how the Applied Imagination team whose workshop is located in Kentucky created the Macy’s Building? What was the wood? What are the windows made of on the elaborate Jewish Museum? I really get off on the ingenuity of the creators and artists to look at a banana gourd and imagine that it would be perfect as an elephant trunk. There is the model of the Elephantine Hotel in the Coney Island exhibit and that is one of the plants that Applied Imagination artists used to configure the smashing model. The hotel burned down, but Applied Imagination celebrated the hotel with this enchanting and detailed model. Don’t forget to look for it!
This year’s Central Park theme segues beautifully with the Garden which is the perfect backdrop as you look at the models and your gaze flows outdoors to the evergreens and rolling landscape of the Garden’s conifer section. As new structures that Applied Imagination included as counterparts to their real Central Park buildings, you will note Belvedere Castle, Bethesda Terrace, the Dairy, the Naumburg Bandshell and more.
These four buildings have an interesting history. Belvedere Castle (Belvedere in Italian means beautiful view) was built as a Victorian “folly.” Located on the then highest natural elevation in the park, it offered a lovely view. That was then. Ironically, the view is different now. Victorian folly refers to a fantasy structure that provides a great backdrop and views, but without a functional purpose. The turreted castle includes Gothic, Romanesque, Chinese, Moorish and Egyptian motifs and the model represents these beautifully.
Bethesda Terrace opens on Central Park Lake in its heart. The Angel of the Waters (1873) sits at the top of Bethesda Fountain. Emma Stebbins, designer of the fountain, was the first woman to receive a public art commission and she referenced the Biblical symbolism of the angel stirring the waters for those who needed healing. After the angel left, the waters had healing properties and all the lame and blind who had the faith the waters would heal them jumped in. Emma Stebbins likened the Croton water system as the healing waters that brought unpolluted water to the city in 1842.
The Dairy an oft overlooked model in the Holiday Train Show® exhibit has been enlarged and given an uplift. Built in 1870 the Dairy was purposed as where children could get a glass of fresh milk, not easily accessible in 19th century Manhattan.
The Naumburg Bandshell is the only neoclassical structure in Central Park. It is made of concrete was finished in 1923. The model in the Holiday Train Show is constructed of plant parts. And it is lovely to imagine that Irving Berlin and Duke Ellington once played there along with Benny Goodman and Victor Herbert.
The Central Park theme this year has been uniquely featured in the train show which is like a large miniature woodland of various shades of greenery and iconic New York models beautifully recast as if one could live in them. The melding of the indoor and the outdoor green of the Garden is refreshing and fitting.
There is so much to see and appreciate with each of the building models painstakingly recreated. I am always awestruck and find myself visiting the show (I am also a member) not only during the days when I can get up close and see how the natural plant materials are employed, but I also go in the evenings during Bar Car Nights. For me in the evenings the show becomes a fantastical mystery with shadows and shades with gentle background music and the murmur of adults sitting, strolling and talking in whispers romantically or just laughing at a shared joke.
You can go with friends or take a date. There is the Bronx Night Market Holiday Pop-up with great bites to eat. There are fire pits and festive performers, acrobats and contortionists and dueling pianos in the Pine Tree Cafe. And there are DJs curated by Uptown Vinyl Supreme to dance your energy into the happiness of the season. It’s the most fun and reasonable theater in New York City This year Bar Car Nights are on select Fridays and Saturdays exclusively for adults 21 and over and take place between 7-10:30 pm. Check it out and put it on your calendar, but don’t wait until the last minute or you will be out of luck. The dates are November 23, 29, & 30; December 7, 14, 20, 21, 27, & 28, 2019; January 3, 4, 11, & 18, 2020.
The Holiday Train Show® hours are from November 23, 2019-January 26, 2020. The Garden is open Tuesday-Sunday, and Monday, December 15, 23, 30, and January 20, 10 a.m.-6 p.m. The extended hours are 10 a.m. -7 p.m., December 26 and 29. The Garden is closed all day on November 28 (Thanksgiving) and December 25 (Christmas); it closes at 3 p.m. on December 13 and 24 (Christmas Eve).
During the Train Show, there are ADULT EDUCATION HOLIDAY WORKSHOPS. These look like fun. A few examples are creating “Winter Wonderland Wreaths,” and workshops where one may create decorations from fresh, fragrant, conifer branches and wreaths from magnolia leaves. A real boon offered is a workshop to create a botanical building, a replica with natural materials in the style of The Holiday Train Show®. There are workshops for “Floral Arrangements” and creating “Tabletop Holiday Topiaries” as well. All of these materials and their creation add to the enjoyment of this season which initiates winter.
Finally, during the Train Show, festivities include the following events: The Evergreen Express, the Sounds of the Season Performances, Holiday Tree & Menorah Lighting Ceremony, The Poetry of Trains with Billy Collins and Young Poets, the Holiday Favorites Film Festival and more. For all the programming and events during The 28th Holiday Train Show® CLICK ON THE NYBG WEBSITE.