Category Archives: NYBG EXHIBITS
The doldrums of winter signify their passing with the arrival of the annual NYBG Orchid Show, whose splendid displays of orchids bring their cheer, and lift our spirits. For this 17th year of The Orchid Show: Singapore, the Garden selected an appropriate theme to go along with its year long festival of #plantlove by celebrating a city which prizes the creation of green spaces so that its populace can commune with nature, meditate and spiritually regenerate surrounded by wondrous botanical beauty.
Singapore is a city-state at the tip of the Malay peninsula between Malaysia and Indonesia in Southeast Asia. It comprises one main island and dozens of tiny ones in an area around the size of New York City. It is a nation whose forward-thinking ideas and ambition for speed-of-light progress moved it from a third-world country to first world status in one generation, thanks to its brilliant Prime Minister Lee Kuan Yew. The Prime Minister conceived of his island nation and its multicultural population as a lush urban oasis. He realized his dream with greening projects and innovations that included nature preserves, glorious parks, and spaces and places for the populace to relax in natural environs.
From this burgeoning vision, the nation has made it an imperative to recognize the importance of plants, nature and tropical gardens so that the city has become a veritable “City in a Garden.” Every new building, every new development must include plants and green places by law. Over the years Singapore has remained true to Prime Minister Yew’s conception so that today, it is recognized as the city with the greatest percentage of tree canopy cover anywhere in the world. And how it creates this tree canopy is absolutely gobsmacking. The orchids make it especially so..
Singapore has one of the greatest and oldest orchid cultures in the world and is home to 220 distinct orchid species. The only nation that doesn’t have a wild plant species as the national flower, Singapore’s national flower is a hybrid orchid indicating how important hybrids are to their culture and economy.
The hybrid Vanda Miss Joaquim which produces striking purple-pink and flame-orange blooms throughout the year is named for its creator Agnes Joaquim (1854-1899) who was a member of Singapore’s small American community. Agnes Joaquim entered her orchid in Singapore’s annual Flower Show in 1899 which garnered a first prize as the rarest orchid. Subsequently, in 1981, Miss Joaquim was selected to represent Singapore as the national flower. Their choice of a hybrid honors the storied history of Singapore’s venerable orchid cultivation, and the multicultural and religious blend of its citizens.
Cultivators enjoy creating new orchid hybrids the total of which now numbers in the many thousands globally. Horticulturists have hybridized orchids in Singapore since the 19th century because the species naturally flourishes in the wet, tropical climate. Visiting Singapore one notices the daily orchid pageant as gorgeous varieties cling to trees and populate the gardens, parks and greens spaces. Each year growers export millions of stalks for the international flower market
This historical attention to plants and the gradual veneration of orchids began in 1859 when a group of horticulturists and agriculturists established the Singapore Botanic Gardens. Botanists at the Gardens experimented with utilitarian plants like the rubber tree which became a vital agricultural crop turned into a product used in industrial manufacturing. They began their serious experimentation and cultivation of orchids in 1928, developing groundbreaking techniques for propagation which helped to establish Singapore’s prodigious orchid cultivation industry. The Botanic Gardens have propagated and developed more than 630 hybrids. The National Orchid Garden displays thousands of orchids. Many of them have been created there. Also, they display more than 1000 species from around the world.
Paying homage to Singapore’s appreciation and love of plants, the NYBG fashioned its floral spectacular with features represented in two botanical gardens in Singapore: Gardens by the Bay and Singapore Botanic Gardens. Walking down the familiar paths in the NYBG Palms of the World Gallery and Reflecting Pool, to reach the Central Rotunda at the opposite end of the Enid A. Haupt Conservatory, one sees a panoply of orchids festooning simulations of the architectural elements found in Singapore’s famed gardens which the NYBG developed in partnership with them to create The Orchid Show: Singapore.
The Gardens by the Bay is a 250 acre public space in Singapore’s downtown area which opened in 2012 and is Singapore’s largest tourist attraction. The acreage comprises multiple gardens, futuristic glasshouses and a grove of Supertrees, Singapore’s paean to art, nature and technology. These Supertrees exemplify biomimicry in their design and engineering, modeled after natural forms and processes. The NYBG was inspired to create its own dynamic trees in celebration of Singapore’s amazing artistic/technological/horticultural sculptures, whose towering, 160 feet tall vertical gardens are unlike any other structure in the world. They are unparalleled for their utility and purpose which is to mimic the functions of trees using modern technology.
Cascading ribbons of rainbow colors of,Vandas, Oncidiums, Phalaenopsis, Dendrobiums and other plant varieties flow down from these massive, tree giants that are embedded with photovoltaic cells that harvest solar energy. Their wide canopies provide shade and a habitat for epiphytes like orchids and other plants which grow on trees high in the air rather than in soil. Supertrees collect and distribute rainwater and are fitted with solar panels that sustainably power dramatic light displays as real trees harvest the sun’s energy for photosynthesis. These Supertrees especially showcase that Singapore’s heart is in the right place with environmentally sustainable horticulture.
Two gorgeous Supertree models are in The Orchid Show: Singapore, at either end of the conservatory. In the central showcase of the Rotunda, you will see fabulous orchid theater: every shape, color and major species of orchid hybrid reaches upward toward the lattice dome of the greenhouse in a breathtaking tower. The second marvelous Supertree replica is in the Palms of the World Gallery and Reflecting Pool. Look into the waters of the pool to see the mirror of the tall tree massed with white orchids which are interspersed with lovely fillers of ferns and colorful bromeliads. The NYBG’s eye popping orchid architectures are 18 feet tall and symbolize Singapore’s incredible structures found throughout the “City in a Garden” and featured spectacularly in the Supertree grove of The Gardens by the Bay.
The other architectural element you will find in The Orchid Show: Singapore is inspired by the magnificent Arches of Singapore Botanic Gardens’ National Orchid Garden. In Singapore, the arches are radiantly festooned in the stunning yellow Singapore dancing lady hybrid (Oncidium Gloldiana). And these grow grow year-round. The replication of this design feature in the NYBG walkway stuns. On first glance in the Enid A. Haupt Conservatory sauntering on the path to either Supertree Showcase, one understands immediately why the NYBG was inspired to include both architectural elements from Singapore in this year’s orchid show.
Following the passage from one Supertree to the other, you will move through five glorious arches clothed with hundreds of vibrant fuschias, blues, yellows, pinks, purples, golds of the various Vandas, Oncidiums, Phalaenopsis, Dendrobiums. The sheer number and abundance create breathtaking bowers along a stirring fantastical path which enthralls BECAUSE it is treasured living botanical art. The archway’s profusion of exotic, shimmering beauty and the effects of the flowing Spanish moss, dangling blooms and beckoning orchid faces recall a pleasure garden paradise.
If one can’t be a snowbird in February, then happily visit the NYBG a number of times in the next months until 28th of April to luxuriate in the tropics and allow your senses to revel in the exotic sights, smells and music, especially during Orchid Evenings (March 16, 23, 30; April 5, 6, 12, 13, 19, 20, 26 and 27 from 7-10 pm with entry times at 7, 7:30 and 8:00 pm.)
Kudos to Marc Hachadourian (The curator of NYBG’s Orchid Show: Singapore, Director of the Nolen Greenhouses for Living Collections and a staunch CITES advocate to preserve rare orchids and rescue them at NYBG) who oversees the orchid collections for the show.
And equal praise goes Christian Primeau (Manager of the Enid A. Haupt Conservatory). Christian Primeau a few years ago mentioned that he likes the Paphiopedilums (Lady’s Slippers) and I noted their placement in key areas featured on rocks near reflecting pools, recalling their natural habitats. Marc and Christian collaborate to come up with the orchid selections to display most effectively in the architectural elements so that the exhibits will remain fresh and gorgeous. They and the entire staff work assiduously to get the show up and running after the Holiday Train Show is struck. The beds must be graded and prepared for the orchid plantings. Then comes the staff to complete the design and color coordinated exhibits in keeping with the current show’s theme. And having spoken to each of these experts over the years (see my previous posts on Blogcritics and Youtube) their #plantlove obviously has manifested in this extraordinary exhibit.
As has Karen Daubmann’s #plantlove (Associate Vice-President for Exhibitions and Public Engagement). Her extensive collaboration with Gardens by the Bay and Singapore Botanic Gardens to help make The Orchid Show: Singapore a success is apparent from the moment you enter the Palms of the World Gallery and Reflecting Pool. Karen mentioned that she had spent a bit of time in Singapore and attested to its forward innovations and emphasis in recognition of the vitality of plants, orchids, flowers everywhere you go in the “City in a Garden.”
A few last points follow here about the NYBG Orchid Show: Singapore. Along your journey through the various galleries of the conservatory, make sure to watch out for the sign indicating the Vanilla Orchid. Yes, vanilla comes from an orchid. And stop by to view the amazing variety of rare orchids (delicate, lovely) in their glass case which houses some of the Garden’s rescued orchids. Since 1990 the Garden has been a designated CITES (Convention on International Trade in Endangered Species of Wild Fauna and Flora) Plant Rescue Center.
The Garden preserves and rehabilitates orchids that have been rescued from poachers around the world (Brazil, Thailand, Peru, India, etc.) who exploit rare orchids from their native habitats and sell them. Because such rare orchids can bring a substantial price for the right buyer, poachers are constantly on the lookout, especially if they have an unethical collector at the ready. Coupled with their low growth densities in the wild and other threats to the species (deforestation, habitat destruction, climate change) wild orchids are among the most endangered plants in the world.
Words cannot easily define the wonder and hope that has been realized from Yew’s dream of an oasis. It is that wonder which now resides until April 28th at the New York Botanical Garden. That the Garden has extolled Yew’s vision of “The City in a Garden” vision and honored it this year with The Orchid Show: Singapore cannot be underestimated nor underappreciated. It must be understood for its symbolism, especially now that many of the institutions that have been created to preserve and protect our nation and its environs, parks, preserves, green spaces are being threatened by those in power obsessed with a different form of greenery. Though most Americans are abjectly opposed to the rapacity for the accumulation of profits in industries that are unsustainable and run counter to our planet’s well being, De-regulation in the wrong direction is happening in the US.
In light of this potential threat and the threat of Global Warming, Singapore shines an incredible light of hope in innovation, and faith that where “there’s a will, there’s a way” to create sustainable, fabulous green spaces to uplift and regenerate the citizens of a nation. Thanks to the NYBG, its scientists, botanists, researchers, horticulturists, staff and volunteers, all #plantlovers who constantly remind us of what we must not lose, the beauty of our planet whose flora and fauna are sacred and integral to ourselves.
The Orchid Show: Singapore has excellent activities that reflect the culture of Singapore in its music and dance during the daytime and especially during Orchid Evenings. Again, there will be the Bronx Night Market Pop-up featuring Barbecue, Vegan, Fried Chicken, Empanadas and other offerings to enjoy while listening to DJ’s perform and watching dancers freestyle. And if you are sick and tired of killing your orchids because you over-water them, you need to attend a few “Orchid Care Demonstrations” in the Conservatory’s GreenSchool on a Saturday or Sunday between 2:30-3:30 pm. Let an expert help you save your plants.
The Orchid Show: Singapore runs until 28th of April. For select programming, membership, children’s activities and more CLICK HERE.
The Garden in the evenings is like a magical mystery tour. Whether you go into the Enid A. Haupt Conservatory or travel the lit paths through the Garden or sample the delights at food trucks, the Bronx Night Market or food booths, there is always something to see and do during every season. Specifically the evening displays during which you may buy alcoholic drinks and must have proof of ID, for the 21 and older crowds are incredible fun with friends.
During the Holiday Train Show and Winter Season, there are The Bar Car Nights. This year they take place from 7-10:30 p.m. In the month of December the dates are 22, 28, 29. And in January, the Bar Car Nights are on the 5th and 12th.
The Bar Car Nights events which are a feature of the Winter Season have expanded to include more activities. I went last night which was perfect. The rain stopped and it was actually warm, a blip in the weather. The individual doing the ice sculptures commented that the ice was melting more quickly. Last year when I went with friends it was below freezing, 10 degrees in the New York City area which was experiencing a very cold December. Yesterday, it was in the 50s.Weather weirding and Climate Change. Oh, I forgot…that doesn’t exist “nationally.”. But in New York, the entire state governance is consonant with the California, whose leadership has come out in support for the Paris Climate Accord.
Regardless of the weather, the show goes on. Last night, there was a large turn out and the crowds were thrilled with the offerings of the Holiday Train Show, the the musical activities in the Pine Tree Cafe and more. The food booths gave up heavenly aromas of fried chicken, barbecue, tacos and Vegan dishes. The booths were packed when I left around 9:00 pm, though the party was just getting started. And the bar section and fire pit was enjoyable, even though folks didn’t necessarily need to warm their hands in the freezing cold.
The evenings in the Enid A. Haupt Conservatory are mystical realism. I love the sounds of the trains, the shimmering lights, the jazz and pop music in the background and especially the lights coming from the interiors of the New York botanical replicas. All of seems mysterious and the whispering of the foliage in the evening and its aroma and aura is special for a plant enthusiast like me.
Whether you enjoy chatting with friends sauntering through landscape with a wine or other beverage in your hand, or really dig the intricacies of the replicas, it’s a fun time. Last night there was a mixture of couples and friends groups. It seemed that the entire Bronx community was out and about. The Garden is a huge focal point of the Bronx and indeed, parents, children, educators, all community groups in the area make use of the Garden’s programs. Some of the couples last night were young and they came with oodles of friends. Older couples I’ve seen mostly on Member Day. However, last night, the age range was considerable. The draw is a night to get away from kids and hang with friends, be entertained with some cool music with a few drinks in hand and seeing the beauties of the season.
What’s not to love? Some of the pictures of the splendid Holiday Train Show are above, and the activities are below. Others I’ve posted elsewhere on my Social Media pages. Enjoy.
The 27th Holiday Train Show will be at the NYBG until January 21st. It is open Tuesday – Sunday and Monday, December 24 (3 p.m.) and January 21, 10 a.m. -6 p.m. The Garden will be closed on December 25 (Christmas). Extended hours, 10 a.m.-7 p.m. Saturdays until January 19, Friday Decmber 26-January 1. For all programming go to the website. And above all become a member to enjoy the NYBG year round. For tickets to The Holiday Train Show and BAR CAR NIGHTS, this evening, go to their website.
Regardless of how busy I am, I always attend the Holiday Train Show at the New York Botanical Garden in the Bronx, NY. One of the most well attended of their shows along with their Orchid Show and special summer exhibits, The Holiday Train Show holds lustrous wonders. And whenever possible before the start of the show, I enjoy speaking with Applied Imagination personnel. For they have conceptualized, designed and created the innovations for the NYBG Holiday Train Show since its inception.
Now in its 27th year the show’s expansion continues. Indeed, more trains have been added. Also, the materials used to perk up the displays appear fresh and more vibrantly colorful than ever.
The introductory film, referencing Applied Imagination Studio workshops in Alexandra, Kentucky, discloses a behind the scenes look. From Alexandria, the miniature botanical sculptures rise from their humble plant-part beginnings.
In addition to showing the workshops at Applied Imagination Studio, staff and the team of the NYBG (for example Karen Daubmann, Todd Forrest) and for Applied Imagination (Leslie Salka and Laura Busse Dolan) explain which replicas are their favorites. Indeed, each year Applied Imagination adds excitement and grandeur to their New York collection. This year the newest replicas shine in the reflecting pool of the Palms of the World Gallery.
The best way to see The Holiday Train Show is to visit a few times. One time, visit with family. Especially bring children who will adore the variety of trains from trolleys, to passenger liners, to freights, locomotives and diesels. And come on Member Day. Then you will receive a 20% discount in the Garden Shop to spend on gifts.
Also, meander through the conservatory taking your time, if there aren’t crowds. Appreciate the intricate detail of each replica. Compare the plant parts to architectural structures, like roofs, cornices, columns, bricks, slate, stone and more. Try to identify what plants are used. Look for the moss, the leaves, the shelf fungus and the gourds. Look for the seed pods and acorns.
On the New York Public Library, the lions faces are carved from pods. Look for the berries used for color on Poe Cottage. You will perhaps take in only 1/100 of the detail present. And then you will probably forget it by the time you visit the show next year. Why? The various replicas will be arranged in completely different displays. And there will be new innovations and new replicas with their maverick conceptualizations. If there is one thing about the Museum quality spectacles with the NYBG exhibits, they are always unique with tremendous variety. It is almost impossible to keep track unless you have photos or maps of the display changes each year.
Applied Imagination craftspersons design the replicas to miniature scale and they, like engineers attempt to get the proportions correct. That takes consummate drafting skills. Constructing with precision, they follow archived historic photographs. What most amazes me is their assiduous attention to biological forms, for example how a banana shaped gourd might follow the shape of an elephant tusk. Or how the breadth of shelf fungus would simulated a roof. Truly, through years of experience, they have mastered the art of replica-making and have brought us to the edge of heaven by using plants which you would never imagine could entertain and delight in the way they use them.
Only when I move slowly do I appreciate the botanical replicas of buildings that once sat in high esteem during New York’s Gilded Age. These buildings so expensive to maintain, owners demolished (Senator William Andrews Clark House). This made way for modern apartment buildings to house the growing uban population.
In the case of The Samuel J. Tilden House (The National Arts Club), The Morris-Jumel Mansion and The Felix M. Warburg House (The Jewish Museum), un-affordable grand mansions became museums, funded by non profit organizations. By profoundly, carefully viewing the structures in the Holiday Train Show, you take a stroll back into the history of New York. And what an amazing and precious stroll this is, for it inspires your imagination to reflect about the past. And this reflection grounds you front and center in the present.
Applied Imagination and the NYBG team collaborate for months beforehand. After they agree on the innovations and drawings and their placement in the conservatory, then begins the next phase. They construct the replicas from botanicals (sticks, fungus, moss, leaves, gourds, bark, acorns, nut shells, pepper flakes, etc.). Some of these plant parts come from around the fields of Alexandria, Kentucky. Other bits and pieces (various gourd parts, etc.), come from suppliers.
After the construction Applied Imagination ships the replicas to the NYBG. Then additional fun begins. Within the span of two weeks, volunteers and staff set the stored and new models in beautiful plantings. Indeed, the arrangements accommodate permanent conservatory trees, etc. And a variety of completely new floral plantings (orchids, violets, bromeliads, cyclamen, Christmas Cactus, lilies, etc.), and various ferns, bamboo, ivy, pothos, dracena, Norfolk Island Pines and other shrubs and greenery volunteers and staff position to complement the 25 gauge model trains sweeping down 1/2 miles of railroad track.
Quaintly, the trains peek out from low hanging branches and water displays. Then they emerge and whip around the tracks like racers. In the 3000 foot expansion a myriad number and type of trains fly above on trestles and bridges.
Locomotives, freights, trolleys and passenger liners whoosh around The Enid A. Haupt Conservatory replica. And they bustle through replicas that include Grand Central Station and historic Pennsylvania Station (demolished 1964). What a fantasy wonderland! It is an unparalleled treasure for New Yorkers, Manhattanites and tourists who come to the city for the holidays.
As the piece de resistance this year, the Holiday Train Show presents the birthplace of New York City, Lower Manhattan as its star attraction. Of course the central feature is One World Trade Center. Branches form the sides of the building and the emphasis is on freedom and a resurrection from the destruction in 2001. Also in the Palms of the World Gallery and Reflecting Pool, you will find the replica of the Beaux-Arts Battery Maritime Building. Gliding in stasis on the pool surface are two vintage ferry boat replicas (Bronx and Manhattan).
Other buildings include the Battery Park Control House, the 60-story Woolworth Building, the Terminal Warehouse (1890), and the crown jewel replica, One World Trade Center. One World Trade remains the tallest building in the Western Hemisphere and the sixth-tallest building in the world. Additionally, the unique Oculus replica is placed at the foot of One World Trade Center. The Oculus that opened in 2016 connects 11 lines of NYC’s subways, New Jersey’s PATH rail system and the Battery Park City Ferry Terminal.
For specific programming, go to the New York Botanical Garden website. To sum up look for Bar Car Nights on select Fridays and Saturdays (December 15, 21, 22, 28, 29; January 5, 12). Warm up around the fire pits in the Leon Levy Visitor Center. Indeed, for the artist in you, watch live ice-sculpting demonstrations. Or sing along with dueling pianos in the Pine Tree Cafe and listen to roving a cappella groups.
Finally, enjoy former U.S. Poet Laureate Billy Collins for a special poetry reading. Collins will select 12 winning poems by students submitted to the Kid’s Poetry Contest. The poems will be displayed at NYBG during the Holiday Train Show. And the student authors will share their work during this special reading on Sunday, December 16, at 2 p.m. For more information about how to enter the Kids’ Poetry Contest visit http://www.nybg.org/poets
The New York Botanical Garden Holiday Train Show 2018 ends on 21 January.
Once a year The New York Botanical Garden gets dressed up in the reds, greens, whites, sparkles, golds and silvers that echo all that is bright for the wintry weather and coming cold and snow. Though some dislike all the fuss of the holidays, I enjoy it, because I visit family and friends. Thankfully, I don’t have a tree and pets to wreck it.
I help decorate my family’s trees and enjoy the celebration of present giving especially with my young nephews and nieces. For folks like me who tangentially celebrate with friends and family, but don’t do a lot of decorating at home, the New York Botanical Garden is the place to go to feel festive. And what makes the Garden especially celebratory during the holidays is their annual train show.
Each year various innovations are made. Displays change. Sometimes, I find I lose whole areas of New York City replicas (Coney Island, Central Park, Museum Row,) that normally are featured together. When I don’t see them, I wonder if they have been saved and stored for next year. But then I find them again in a different section of the Enid A. Haupt Conservatory than they were the previous year. Indeed, there appears to be an infinite variety of placements of the over 175 replicas that compromise the permanent Holiday Train Show collection that collaborators Applied Imagination and NYBG create for one of the most well attended events the Garden offers.
Thousands of first-time tourists, visitors and members attend each year, participating in Bar Car Nights, the Holiday Tree and Minorah Lighting Ceremony, the Annual Bird Count and much more. However, the central themes of winter reside in trains as a throwback of the past. Ironically, they are the most mechanized feature of the train show along with the colorful lights interspersed throughout. For Founder Paul Busse eschewed using the plastic villages that came with model trains. When he decided to make his architectural “villages” of organic plant parts to husband the environment and throw down the “fake,” it was a boon. For every model, ever bridge, every house, gate, feature he and later others on his staff designed, use as their building blocks plants: twigs, bark, acorns, gourds, fruits, seeds, leaves, ferns, fungus, moss, nuts, nut shells, plant fiber and much more.
Both Applied Imagination who creates the stupendous replicas of iconic New York City buildings and the New York Botanical Garden team work like Santa’s elves for two weeks. During that time they set up the more than 25 HG model trains that skip and breeze over 1/2 mile of track non-stop during the daytime when the Garden is open through 6 pm when it shuts down. Then the trains glide from 7-10:30 pm on select Bar Car Nights, their headlights glinting through the dark mystery of the Garden’s dense, exotic evening atmosphere.
What those who have been attending the show for a while and certainly the newcomers do not realize in this 27th year of the Holiday Train Show is its evolution. Each year buildings have been added to the collection. Paul Busse always strives to forge out and tackle the different and unique, so he and his creators in Applied Imagination’s Alexandria, Kentucky Studio plan ahead with conceptualizations. After decisions in collaboration with the NYBG team, then the drawings are finalized. Then the construction begins and all is completed around the time the Garden staff strikes down the fall exhibits in the Enid A. Haupt Conservatory, the soil is regraded and plants chosen and prepared to feature the Holiday Train Show’s old and newly fabricated models.
The journey from start to finish is a prodigious one, but the Applied Imagination team headed up by owner Laura Busse Dolan are practiced artisans. Clearly, they enjoy giving children and adults pleasure which one can easily assess just walking from one end of the conservatory to the other listening to the kids screams (daytime exhibit) and seeing adults relaxed amble with drink in hand through sections of the conservatory during Bar Car Nights. Those nights or Member Days are a great time to reconnect with friends, lovers and partners while enjoying the splendors of the Garden’s wintertime loveliness.
The festive and popular Bar Car Nights on select Fridays and Saturdays from 7-10:30 pm, December 15, 21, 22, 28, 29, January 5, 12. for adults over 21. Have a bite to eat fro the Bronx Night Market Holiday Pop-up, There are fire pits in the Leon Levy Visitor enter. Watch live ice-sculpting demonstrations, sing along to favorite tunes with dueling pianos in the Pine Tree Cafe and listen to roving a cappella groups as they guide you through the Garden.
Join former U.S. Poet Laureate Billy Collins for a special reading of poems on December 16 at 2 pm. New this year as part of the Kids’ Poetry Contest and in partnership with the Poetry Society of America, Collins will select 12 winning poems to be displayed at NYBG during the Holiday Train Show. And the student authors will share their work during the special reading.
For special programming during the Holiday Train Show 2018, go to the New York Botanical Garden website.
The New York Botanical Garden has always prized horticultural/environmental research, preservation and sustainability. This is especially so in this crisis period where the US no longer participates in the 2015 Paris Climate Agreement. As a part of their vision to educate children and families about how gardens improve the environmental landscape and integrate human growth, wellness and health, the NYBG is briskly moving forward to assist the global on the local level in NYC.
The Garden is accomplishing this by operating a State-of-the Art Edible Academy that expanded their former academy into an amazing three acre campus. The central purpose of the Edible Academy is to teach children and families how to grow, harvest and prepare healthy, clean, organic produce. It is also to encourage the knowledge that sustainability in various forms like cutting down on food waste, composting, food shopping carefully, etc., are practices we should engage in to meet our personal goals to support global and local environments.
The NYBG has had an acclaimed garden-based education program for many years. However, to better serve the community of thousands of children in the New York City area, the Garden funded the expansion of the Ruth Rea Howell Vegetable Garden through public and private donations, totaling $28 million. The indoor-outdoor campus, designed by the Cooper Robertson architectural firm, boasts cutting-edge sustainable technology which allows the NYBG’s edible gardening program to operate year-round. With their improvements the Garden has doubled its capacity to involve children, families, teachers and the general public in programs every season.
The Edible Academy expansion is one more turning point on the highway of success the NYBG has paved over the decades to engage children and families to understand the importance of nature in their spiritual, emotional, psychological and physical well being. The power of nature to heal is a fact which scientists may have underestimated in the past, but now are studying in earnest. Indeed, there is a renewed interest in how “getting back to the land and the soil” heals soldiers and others with PTSD and helps children and adults with psychological problems by reaffirming mind/body connections to support the whole individual’s wellness.
Additionally, as films like Eating Animals indict agribusiness, industrial farming and industrialized animal husbandry, individuals acknowledge the importance of farm to table, fresh versus canned or frozen, and organic and free ranged chicken or beef versus processed animals. The latter inhumanely raised, shot up with antibiotics, and growth-hormones and fed with bio-engineered “round-up ready” plant grains that have been sprayed with chemicals to discourage fungus or insets, are egregious components of global warming.
Not only have agribusinesses and the correlative processed food industry impoverished once noble farmers making them into indentured servants, the toxicity of food additives and preservatives have wrecked our metabolisms and immune systems. Since fast food consumerism burgeoned and profits over healthy eating became the sine quo none of the food industry in the late 1970s, obesity rates of families have risen steadily to the present. Related illnesses never seen before like increased instances of childhood diabetes, high blood pressure and inflammation have been recorded by doctors. Clearly, acidity and toxicity have overtaken our bodies based upon our eating habits as we have chosen fast food convenience over healthy planned “start from scratch” meals at home.
Scientists and nutritionists have acknowledged the long-term impact of the chemicals we ingest in our food, drinks and water. In positing chemicals’ (including food preservatives, dyes, MSG, flavor enhancers) deleterious side effects on the human immune system, Europe has banned over 1000 chemicals emphasizing non GMO, non-irradiated produce and wheat, few preservatives, artisanal meat, cheese, wine and more. In France they have managed to keep out Monsanto corn and soybeans, which is the only offering in the US. In Italy they have created the slow food and slow wine movement since 1989, encouraging fresh, locally grown in cooperative farming as they eschew fast food and processed food.
Thankfully, the US has caught on, though we have remained behind Europe. We only ban 80 chemicals recognized to be toxic for human consumption, which is to say there are 920 chemicals or more that should be banned. Sadly, recent political developments and the vitiation of environmental policies and Food and Drug regulations threaten even the small strides we have made.
Thus, the NYBG Edible Academy is needed now more than ever, and surely, it remains a beacon for us in dark times. As a sanctuary for living plants and animals (native wildlife), it reminds us that we must uplift who we are, what we put in our bodies and what we must allow in the broader society. Above all the Garden is a bulwark which encourages us to remember we are interconnected with the earth, and thus, must do our part to help our human, plant and animal communities thrive.
To these ends, The Edible Academy expansion is money well spent especially for New York City children. The area around NYBG has one of the highest rates of food insecurity in the nation. Many do not have access to fresh, affordable fruit and vegetables. Indeed, as a result there are high rates of obesity-related ailments. However, there is good news. Extensive research has shown that children who plant and harvest their own produce develop important life skills as they shop, prepare and cook their meals with wisdom. And they are more likely to eat healthful fresh fruits and vegetables and cook meals “from scratch” because the food flavors are incredible.
As a measure of the support for the importance of the NYBG mission, Garden leaders, government officials, corporate and foundation donors and dozens of Bronx schoolchildren showed up on June 14, 2018 to celebrate the opening of the Edible Academy’s momentous occasion. The Academy, which has been in the physical works for about eighteen months, has been in conceptualization for years. “We have long dreamed of expanding the Ruth Rea Howell Vegetable Garden,” said Maureen K. Chilton, Chairman of the NYBG Board of Trustees, who added, “With the opening of the Edible Academy, we will now be able to offer even more educational resources, impacting the lives of countless children as they learn about gardening, plant science and healthful living.”
Mayor Bill de Blasio, NYC Cultural Affairs Commissioner Tom Finkelpearl, Bronx Councilmember, Ritchie Torres, New York State Senator, Jeffrey D. Klein, NY State Assembly Speaker Carl E. Heastie, NYC Council Speaker Corey Johnson and other officials were present as Mayor de Blasio cut the ribbon and opened the ceremony dedicating the expansion. Mayor de Blasio affirmed that the City of New York provided $8.6 million for the Edible Academy through the Department of Cultural Affairs. And through the leadership of the NYS Senate and Assembly, the Edible Academy received $2.5 million.
Mayor de Blasio along with other speakers identified the importance of the Edible Academy to influence generations. He stated, “Though New York City offers students access to parks, cultural institutions, and educational experiences unlike anywhere else, opportunities to learn about agriculture in our urban jungle can be a little harder to find.” And he added, “Now, more children, educators and families can use this extraordinary resource to better understand the connections between diet, well-being and the stewardship of our planet.”
That Mayor de Blasio has a heart for children not only was evidenced here at the opening of the Edible Academy. Some days later the Mayor found out like the rest of us through fine investigative journalism that immigrant children were being separated from families in the President’s new Zero Tolerance Policy at our Southern Border. Housed in cages, sleeping on concrete, not knowing where their parents were, some were flown in secret at night to New York City shelters unbeknownst to city or state officials.
After the Mayor and Governor Cuomo flew to the border, apprised the situation and came back to the city, some of the children were located in Harlem and increased services were provided. On the news Mayor de Blasio and others stated that the number of children in New York City, once thought to be 239 was now hovering around 600 for those at a Daytime facility. Most probably, the WH administration has had immigrant children flown to other areas of New York City, perhaps even the Bronx. Thus, in the upcoming months, the Garden and the Edible Academy may offer a measure of encouragement and support if such children over the years find their way to the doors of the Edible Academy.
Before you visit the Academy, read up on the innovative and sustainable design elements to appreciate the buildings set into the farm-like setting. The campus includes a green roof for the classroom building, geothermal wells for heating and cooling, a freestanding solar pavilion to help power the facility, and composting toilets. Of course all are designed to minimize the environmental impact of the facility and support one of the largest educational gardening programs in the US. These sustainability features meet the criteria for certification as a Leadership in Energy and Environmental Design (LEED) Gold Project. What an amazing learning facility for NYC children which is in keeping with New York State’s philosophy to affirm the 2015 Paris Climate Agreement despite its rejection by the current WH administration.
There is so much to see and do at NYBG, you will need to make a number of visits during each of the year-round exhibits (Holiday Train Show, Orchid Show, Rose Garden, Spring blooms: azealas, daffodils, lilacs, Summer Concerts, Fall Pumpkin Weekend, etc.) and activities. If you have kids, they will love the Edible Academy and the Everett Children’s Adventure Garden which has seasonal, year-round events and fun programs. Certainly, a Garden family membership will pay itself off many times over and comes with additional free parking.
Currently, the main exhibit, Georgia O’Keeffe’s Visions of Hawai’i (through October 28th) makes its home in the Enid A. Haupt Conservatory, at the Luesther T. Mertz Library and Art Gallery and elsewhere in the Garden. At the Art Gallery you will see gorgeous paintings inspired by plants and scenic vistas from Georgia O’Keeffe’s commissioned journey to Hawai’i. Look for outdoor installations by contemporary Hawaiian-Chinese sculptor Mark Chai, inspired by the forms of the plants that O’Keeffe encountered while visiting the exotic paradise.
And take a tram ride to the Edible Academy and spend time investigating the campus. You will enjoy the Ruth Rea Howell Vegetable Garden (three gardens), the Classroom Building (with a demonstration kitchen classroom), the greenhouse, the Pauline Gillespie Gossett Overlook Pavilion (you see the Bronx River), the Susan P. and Coley Burke Ampitheater, the Solar Pavilion, the Wamsler Phillips Plant Nursery and much more.
For Garden programming, CLICK HERE. For membership CLICK HERE. For the Summer Concert Series CLICK HERE. If you have never been to the NYBG you are missing a treasure in NYC that you cannot divine until you visit. It is one of New York City’s hidden gems, a haven and a sanctuary for thousands of visitors and members each year. But do not wait to the last minute of the Georgia O’Keeffe exhibit or any exhibit for that matter. You will be bumping into crowds who want to go one last time to experience the Garden’s wonders.
Dutch floral artist Daniël Ost is world renowned. No stranger to Europe or Japan, Ost’s large-scale sculptures have been likened to Anish Kapoor, Claes Oldenburg and Andy Goldsworhy. If you google any of these individuals and Ost and check out their websites, you will be astounded at their botanical artistry of beauty, light and grace. Indeed, in Belgium where Ost grew up and initially trained, he has been referred to as “the Picasso of flower arranging.” And France hails him as “the international star of floral decoration.”
While those in the United States may not be familiar with Ost’s brilliance others might because of their network of friends and their extensive travel. However, those in the multi-million dollar flower industry and those staff, botanists, horticulturalists who make their work homes in global botanical gardens know of Ost’s reputation. The New York area is fortunate to witness Ost’s magnificent living floral designs at the New York Botanical Garden Orchid Show until 22 April.. His installations are one-of-a-kind spectaculars that take your breath away.
It is a rare opportunity to see Ost in “living color.” And unfortunately, his botanical showcase at the New York Botanical Garden will only remain until next week. As for Orchid Evenings? There are only three evenings left after tonight.
Whether you see them in the main galleries of the Enid A. Haupt Conservatory in the daytime or in the evening, you will note how the changing light impacts the elements used to encapsulate the exotic delicacy of the thousands of orchids Ost and his team selected for the annual Orchid Show displays.
Unlike other designers commissioned for various NYBG shows, Ost took a hands-on approach to his installations. He traveled back and forth to the Nolen Greenhouses to specifically select a multitude of orchids and companion plants based upon their color, size, form, texture, delicacy, hardiness and more. His vision for each of his installations he effected with the assistance of his team Marco and Damien (both from Belgium) and the NYBG staff and Marc Hachadourian.
Marc is the Director of The New York Botanical Garden’s Nolen Greenhouses for Living Collections. He is the main orchid curator who assiduously watches over the plants under his care. For Marc to give Ost free reign in the greenhouses indicates the level of respect both men have for each other in their passion and dedication to plants and flowers. During the weeks that Ost and his team spent in the Bronx working labor intensive lengthy days to scale up the thousands of orchids of myriad varieties with their lively companion counterparts (crotons, draceana, ferns, palms, ficus, etc.) they closely bonded with the staff.
On the Press Day I visited, I spoke with Daniel and Damien. And both mentioned that despite the amazing pressure of their schedule, they loved the Garden and were thrilled with the array of plants they were able to employ in their unique installations.
Damien assured me the clear plastic tubing, a trending element of floral design that reflected the light and cohered with the glass of the Enid A. Haupt, was a medium that best suited individualizing each orchid variety and color Daniel selected. One only has to view the monumental and glorious sculpture in the Palms of the World Gallery to understand how. Trained by Noboru Kurisaki, a prominent grand master of Ikebana, Ost learned from him that a single flower used the right way can have more impact than thousands of flowers bound together en masse.
You will not find walls of the same colors or types of orchids clumped together in a wall. Instead, every orchid variety is surrounded by a distinct and particular other orchid variety. What does thread together in minute details is a similitude and harmony of color. And then when you think you have picked out the harmonious hues, you discover that there are multitudes of contrasts.
The orchid selection brought the teams to configure the largest orchid display ever used for any of the NYBG Orchid Shows. That alone is amazing when you understand that Ost and the teams made sure to individualize each orchid from its brothers. What do remain in greater combinations of the same plants are the companion plants. But these have been selected to highlight and emphasize the vast varieties of color, shape and orchid forms.
Phalaenopsis (moth orchid), Vandas, Miltonia, Cymbidium, Cattleya, Dendrobium, Paphiopedilum, Oncidium (dancing-lady), Brassia, Odontoglossum are some of the varieties. The orchids in the show span from those that are rare which you will see in the glass case, the Garden’s permanent collection. Whether shipped in from tropical climes, or raised in the Nolen greenhouses, whether popular pinks and fuschias, or the multi-faceted, multi-hued hybrids, the diversity of plants is amazing.
Thus each orchid in the show has its own defined space, its roots either allowed to hang down or placed within a moss medium so they might thrive as their variety would in the wild. This is especially manifest and clearly seen in the Palms of the World Gallery and in the walkway of the seasonal gallery as one saunters up to the 360 degree showpiece gallery of the conservatory whose permanent plants spiral upward 100 feet or more to the domed ceiling.
In this particular gallery, Ost and his team used green bamboo in a circular round which mirrors the lattice work of the Enid A. Haupt. The bamboo and the tubing are at meet and are employed together in the passageway leading to either domed space.
Thus, at either end the larger galleries of the Enid A. Haupt manifest their own design akin to their structure. Thus, Ost’s vision in employing these implements for the installations represent a celebration of the architecture of the conservatory. Indeed, function and design whimsically become one. And the elements used to reflect Ost’s vision serve as the platforms upon which the orchids shimmer with vibrancy, magnificence, singularity and loveliness.
Words and photos cannot do justice to viewing the theatrical horticultural spectacular in all its vivacity. You must see it for yourself. However, here are more photos which will reveal the amazing installations in the daytime and evening “light” motifs.
There is programming surrounding the 2018 Orchid Show. Saturday, April 14 is an Orchid Evening which begins at 6:30 pm and lasts until 9:30 pm. The Garden is mysterious and exotic in the evenings. The Enid A. Haupt is transformed to an ethereal, romantic tropical setting where anything seems possible.
The show ends on 22nd of April. Next weekend is the last Orchid Evening of the season. Best to get tickets for the weekend immediately. With the nicer weather, the crowds show up and the tickets sell out. You will be glad you didn’t miss Daniël Ost’s splendid vision for orchids at this year’s show. For all programming CLICK HERE.
If you have not been to Bar Car Night of the NYBG Holiday Train Show, this weekend will be your last chance. The entire week, the cold has softened into the sunshine and snow melt. It would be a wonderful time to go with friends, partner, spouse, lover, blind date, seeing date or just yourself. Have a few drinks, saunter through the gorgeous conservatory and various galleries appreciating Applied Imagination’s love letter to New York and NYC and go home refreshed and ready for a new week.
The show’s main Palms of the World Gallery features the new exhibits of Mid Town Manhattan and the show is splendid with some of the seasonal decorations still hanging and lights twinkling. everywhere. One of the most popular of the NYBG shows, ‘Bar Car Nights’ is the time to leave the kids at home and enjoy the quiet, low surrounding conversations as you note the incredibly imagined replicas that pay homage to old world Victorian New York and the twentieth century.
The show advances our historical knowledge of many buildings and structures that have either been demolished or destroyed. Five bridges of New York (Brooklyn, Queensboro, Manhattan, Hells Gate and the George Washington sparkle their lights as trolleys and passenger cars slip quickly over the bridge trestles. One also notes various sections of Manhattan-Museum Row, NYPL,Central Park, Morris Jumel Mansion, Park Avenue Armory, Mid-town Manhattan-Empire State Building, East Side/West Side Row Houses; Brooklyn-Coney Island’ Queens-the TWA Flight Center, the Bronx-Poe Cottage, NYBG Haupt Conservatory, Yankee Stadium, Hudson River Valley mansions and more.
Whether you move slowly observing all of the sustainable, botanical wonder (stems, leaves, twigs, see pods, pine cones, acorn caps, cinnamon, etc.) that create finials, roof tops, gables, windows, decorative elements and stones, or just jet through taking in the overall sensual experience, you will feel wellness spark your soul. The creative energy, joy and love demonstrated by the details of the structures and placement among the NYBG’s finest living panoramas and water features will delight. It is worth it to take a trip for the evening magic and variety of visual and aural sights that will titillate, yet soothe your senses.
The show enjoying 26 years at the New York Botanical Garden has been engineered, created and lovingly collaborated to delight and enthrall by the team at Applied Imagination. Applied Imagination’s baton has passed from creator and founder Paul Busse to his daughter Laura Busse Dolan. She discussed her Dad’s evolving the show over the years. Laura Busse Dolan has fulfilled and maintained her Dad’s intention to create a world of New York grandeur in miniature. And around the fantastic replicas wholly created with sustainable plant parts and biodegradable materials, 25 gauge trains leap, choo-choo, slip smoothly.
The amazement of Bar Car Nights for me always becomes noting the differences of the daytime Holiday Train Show and the cold wintry evening in the shadowy NYGB. The Enid A. Haupt Conservatory, a fountain of sunlight streaming brilliantly through the latticework and glass cheers. The delicacy of the replicas, the intricacy of their botanical components from magnolia seed pods to cinnamon sticks, bamboo, eucalyptus, acorn caps and more fascinate. How does the team innovate the use of a twig or bark for various buildings to simulate Senator William Clark’s guilded-age mansion? Clearly, their intimacy and knowledge and experience with materials and collaborative efforts prompt them to top themselves each year as they place the buildings among gorgeous flowering shrubs, orchids, palms and water displays.
The NYBG Holiday Train Show ends on 15 January. This is the last week and weekend of the show. You may check for tickets HERE. Bar Car Nights end on 13 of January, this Saturday. Pick up tickets by CLICKING HERE.
If you missed The Holiday Train Show select programming this year because you were out of town, the show will be presented annually and you should mark your calendar for special events that happen during the winter season inclusive of the Holiday Train Show. From music to dance, from movies to poetry readings, the New York Botanical Garden is a hive of activity for the entire family. If you are a New Yorker, you probably are apprised of this. If you are a global traveler, this is one of the places to be during the Christmas and Holiday season. If you can’t make it this year, check for the show around Thanksgiving in November of next year.
The Holiday Train Show is always a spectacular reaffirmation of what is beautiful, shining and creative in the human spirit. This year seems more so against a backdrop of tumultuous, grimy political scandals and redundant “breaking news” moments that jar the nerves and chill one’s core. I heartily appreciate an escape from the unsettling thesis of chaos to the antithesis of children’s screams of laughter and twinkling, colorful Holiday lights of assurance. The felt innocence is more lovely than the low details of worldly goings on. And I am uplifted to remember that throughout the labored struggles of men and women who strive to retain power, there is something more worthy and spiritual in the human soul that the season reminds us to seek and direct our attention to.
Thus, for me especially this year, and for the friends I visit with, The Holiday Train Show in the New York Botanical Garden is a sanctuary of refinement, a haven of peace. Amidst the lovingly arranged pageantry, the plantings strike poses between the stunning miniature replicas of New York’s icons, historical landmarks and stupendous structures of the gilded age, made into museums or torn down because they were too expensive to maintain.
As I note the complexity of the constructions from plant parts as tiny as a barely seed and as large as a gourd, and wander slowly in amazement at the specificity of creation, solace is delivered in cupfuls and happiness in bushels. I take picture after picture, trying to stir my memories about the location of the recreations in previous years.
If I take my time without rushing to the show finale, my memory serves me. The Poe house is situated more prominently this year on the opposite side of the central theatrical showcase. I am glad because I am writing a play about Poe and I feel akin to this replica. For example, I know that Poe’s wife Virginia Clemm died of tuberculous in Poe Cottage which is in Fordham in the Bronx a few miles from the Garden. The replica is modest, a no frills structure which is a miniature facsimile of the real Poe Cottage. The Poes were impoverished for all of their marriage a terrific irony considering just one of Poe’s short handwritten letters brought in almost $100,000 at auction a few years ago.
I see that the New York Public Library (Stephen A Schwartzman building) is up front and center as it should be. The Fifth Avenue Manhattan library with the stentorian lions is under renovation and receiving technological updates that will be completed by 2020. I note that the Coney Island display is prominent with the Elephantine Colossus, Wonder Wheel (now a film of the same name by Woody Allen about Coney Island and gangsters), The Steeple Chase, Luna Park, the Cyclone (with moving parts) and more. These structures backdropped with waterfall and reflecting pools are encircled by sauntering trains lazily enjoying their pace in the 360 degree central showcase of the Enid A. Haupt Conservatory. Last year they were in the Palms of the World Gallery.
As I appreciate the Elephantine Colossus so carefully and brilliantly created out of variously shaped gourds and other plant pieces, I consider Leslie Salka’s (Director of Applied Imagination whose creations we love) comments about the construction of the replica of the Elephant shaped hotel. The unusual structure was an example of the period’s novelty architecture, designed by James V. Lafferty to bring in tourists. The seven-story building, which served as a hotel, concert hall and amusement bazaar, stood above Surf Avenue from 1885 to 1896 when it burned down. Leslie decided they should include the hotel in the Coney Island display in memoriam of Topsy the female elephant who was electrocuted in Coney Island’s Luna Park in 1903.
Topsy’s demise had been all but forgotten until someone noted a film had been made of her electrocution and clips of it were included in a Ric Burns documentary about Coney Island. After Burns’ film the subject of Topsy’s death has been featured in popular culture and media and has been the subject of poetry, fiction, songs and journalist Michael Daly’s book about her. Contrary to belief there is no purported direct association of Topsy’s death at Luna Park with Thomas Edison. Though Edison did electrocute animals 15 years earlier during the War of Currents when he was attempting to demonstrate the dangers of alternating current, he was not responsible for Topsy’s death. The Elephantine Colossus replica is gorgeous and the backstory of Topsy’s life and death, the preservation of the film clip, and her rise to celebrity is a notable piece of history found in The Holiday Train Show if you enjoy digging deeper.
What I particularly appreciate about The Holiday Train Show is that there is something for everyone young and ancient. Children see the trains and love to hear and watch them. Adults see the history, and depending upon their day and mood go deep or gloss over the displays. No one sees all of it during each visit. If you glean 20% of the entire production which pays homage to history, trains, New York, the five New York City boroughs and their landmarks interspersed fancifully throughout the Garden’s botanical kingdom, you will have walked away with a treasure.
The Show is overwhelming. So one may jaunt through it appreciating the overarching dazzling spectacle and briefly glance at the replicas, taking a few moments to identify the name of a particularly striking recreation. Or you may more closely observe, inspect and take a leisurely microscopic view of how each of the replicas was assembled ingeniously with twigs, varieties of flower and grain seeds, pine cones, stems, leaves, nut shells, acorn caps, pods, gourds, varieties of moss, mushrooms, flowers, herbs, spices and more.
And the trains? Use your phone video feature to capture the particularly cool passenger trains or trolleys flying over the Manhattan or Queensboro bridge high above your head. Most NYC bridges (five out of the nine) are featured. Or snap the cute novelty cars painted with butterflies or other insects trolling back and forth over the tracks. All of the trains are G-scale, whether ancient or modern, whether locomotives and freight cars or diesel engines, electrified passenger trains, trolleys and streetcars. There are over 25 full fledged train set ups clanging, whirling, zipping, steaming, chugging, purring and careening over 1/2 mile of track situated between rocks, over bridges and water features, through tree stump tunnels and under low hanging tree branches throughout the conservatory.
In the 3000 foot 360 degree display whose extension was added a few years ago, you’ll see a grand memorial to traindome. You’ll note various New York historical station replicas that are throwbacks to a time when travelers stayed at inns before they journeyed to relatives. These have since been torn down to make way for flat-looking, rectangular, unappealing buildings signifying what has been lost to progress. You will note Grand Central Station saved by Jacqueline Onassis and the magnificent station that developers couldn’t wait to get their grimy hands on, the Beaux Arts beauty, built in 1910, Pennsylvania Station. The Applied Imagination replica is a memorial to history, grand architectural effort that remains timeless though Penn Station itself was torn down in 1963. But there the miniature building stands for us to admire at The Holiday Train Show. Just consider that for a second or two.
The Palms of the World Gallery exhibit is the glorious conclusion that sends you out into the sterling night of stars if you go to Bar Car Nights (December 22, 23, 29, 30, January 6, 13) with a date, friends or are just slumming by yourself. Or if brushing by the palm fronds with goodbyes to Garden staff dressed as train engineers you slip from the tropical paradise into the bright, cold atmosphere and sunshine with a beaming smile on your face because the final exhibit is just…just. Well! You’ll have to go and see the show and come up with your own descriptors. Marvelous? Rising? Scintillating? Neat? Memorable? Illustrious?
It’s all of that and more as the display in the large reflecting pool glimmers and splits into double images which lengthen the buildings and set them skimming across the water. This segment in particular memorializes why Manhattan is its own tribute to itself: skyscraper-particular, iconic, architecturally astonishing, mesmerizing, glowing. Whether its Rockefeller Plaza, Ellis Island, the Statue of Liberty, the GE Building, the Empire State Building, the Chrysler Building, St. Bartholomew’s Church, this is what tourists, natives and even botanical adventurers love about New York City. Take some time to especially view the last four replicas listed here, all of which are new.
I was struck by the extravagant details and was rather gobsmacked at the illusion which is created in this gallery. These buildings effect their namesakes, but are built with completely organic, sustainable materials, unlike their reality of concrete, glass and steel. The effect will draw you in as you remember the essence of the Applied Imagination’s vision to set a monument to nature’s ineffable and infinite botanical variety and the wonder of at plants’ creative usefulness as building blocks for humans. Read that sentence again, to ken the full meaning. Heart!
There is no leaving the Palms of the World Gallery after the first minute of arrival. You leave when you receive the full effect of the display upon your senses and decide that The Holiday Train Show is a celebration of the best of who we can be as creators and lovers of nature’s bounty of which we are an integral part.
For all the intriguing programming during the Train Show, from the Evergreen Express and family events, Billy Collins poetry reading and more, go to the Garden website HERE. For BAR CAR NIGHTS, HERE. To learn about Paul Busse artistic visionary, founder and 25 year creator of Applied Imagination replicas and themes with his team click HERE.
Last weekend at the New York Botanical Garden was my last time to say goodbye to the Chihuly Exhibit. I have visited the exhibit a number of times, but each time is fresh and different. One reason is because Dale Chihuly’s outdoor sculptures refract and reflect the changes in sunlight during the changing seasons, from spring to fall.
Another reason is because no matter how closely you look at a piece, you will notice something unique every time. Perhaps it is the way the colors merge into each other on some pieces or the way the glass curves or projects starkly upward. With the sculptures that are housed indoors at the Enid A. Haupt conservatory, for example Macchia Forest, 2017, Chihuly’s vibrant colors startle in multi-colored tulip-shaped cups arising from iron-like stems in the conservatory’s indoor pond and fountain gorgeously arranged with hanging flowering plantings. One could remain there all day or in the evening with a drink during Chihuly Nights. The rich ambience delights and the sounds of water splaying in the fountain soothe. As with all of Chihuly’s sculptures thoughtfully arranged in or around water, the reflections dazzle and enthrall with their multi-dimensional views.
I will sorely miss this exhibit which stirs the imagination toward infinite and graceful fantasies that one conjures up in brilliant dreams. I have become used to catching the falling sunlight at dusk as it stirs the effervescence and evolving, sparkling, deep blue, shimmering hues on Sapphire Star 2010, NYBG 2017 amidst the darkening shadowy green of the landscape and deepening black shapes of the trees. Sapphire Star 2010, installed at NYBG 2017 is my favorite. I enjoyed seeing it in high noon brilliance or in the surrounding darkness enhanced with a few ground lights along the Garden path that is out of the Chronicles of Narnia. My imagination runs wild. And if I were indeed alone without anyone near me, I would expect a unicorn or centaur to jump out from behind a tree and admiringly gaze at this groundling star whose other-worldy beauty beckons.
This past weekend I also strayed beyond the Everett Children’s Adventure Garden to visit the Native Plant Garden where Chihuly’s Float Boat and Koda Studies #1 and #2 herald all that might be accomplished when the creative spirit is allowed to run wild amidst a natural platform. Again, Dale Chihuly combines contrasting shapes, sizes and forms. There are the comforting huge glass balls of every shining hue imaginable displayed in a an oblong vessel held up by a flowing water pond.. In the nighttime, the view widens its depth. Which is is solid? Which is fluid? And indeed physics will explain that both are double images of each other for all contain infinitesimal atoms which spin at incredible speeds and play havoc with what appears to be real but which is something else entirely. A true mind-blast and pageantry of excellence.
That evening a guitar player shared his repertoire as we hailed the Chihuly’s Koda Studies # 1 and 2. Chihuly designed these specifically for the exhibit, honoring his original Artpark installation designed with friend Seaver Leslie in Lewiston, New York in 1975. That significant installation launched Dale Chihuly as a glass artisan and he has been flying into glory ever since.
As we sauntered along the path viewing Chihuly’s muted dark fuschia, red and yellow glass panes pinging off the lengthy water display in the Native Plant Garden, our senses were regaled. The native grasses, wild herbs, shrubs and dying foliage exuded gorgeous aromas released in the humid night air. There was a sense of freedom and exploration I felt. Tell me where else in New York City can one travel safely along landscaped, tree-lined paths in the nighttime breathing clean air with heavenly scents except at a NYBG evening exhibit.
During the daytime I walked amongst the still-green trees which are here and there beginning to prepare for fall and winter. I stepped into the fun-filled Everett Children’s Adventure Garden and watched the kids enjoy themselves everywhere they went. The Children’s Garden was packed. The humongous pumpkins patiently sat as children scrambled on top of them and families posed for pictures. Each of the gigantic specimens were record-breakers. (see below for stats) Families sought and found enormous pumpkins, gourds, and squashes – it was also Giant Pumpkin Weekend, and families came to see these incredible natural wonders.
Kids and parents took pictures standing on them, climbing them, sitting on them, and standing next to them. Giant Pumpkin Weekend, arranged in collaboration with the Great Pumpkin Commonwealth, showed off the growers’ skills at nurturing the hugest (I know that’s not a word), most fantabulous (or that either) pumpkins. Each of these record-breakers from around the world weighed in at more than a ton.
How these pumpkins’ DNA allows them to expand boggles the mind. Importantly, growers come to share how this happens in the growing process during Q&As.
Recapping the record-breakers and their growers for 2017.
This year’s largest pumpkin traveled from Sumner, Washington, bringing with it the North American all-time record. Nurtured by Joel Holland, the “Great Pumpkin” weighed in at 2,363 pounds.
The second-largest pumpkin ever grown came from the United Kingdom, with that country’s all-time record of 2,269 pounds. Ian Paton and Stuart Paton grew this lovely.
Finally, at the entrance of the Leon Levy Visitors Center you will find the largest squash grown in the world this year. This all-time record-breaker grown by Joe Jutras hails from North Scituate, Rhode Island. It weighs in at 2,118 pounds.
If you missed this annual fun event the weekend of 21-22 October, don’t worry. The display continues through 31 October. And if you can’t make it this year, next year the Garden will be hosting amazing record-breaking specimens again. You know they will be even larger.
Another fun event at the Everett Children’s Adventure Garden involved costumes and goodies. Children dressed in costumes visited the Whole Foods Market® Trick-or-Treat Trail. Since Whole Foods offered the treats, you know they had to be nutritious and delicious. No candy corn could be found anywhere on those Whole Foods Market tables. Additionally, children could decorate a bag to collect their goodies, which included a “children’s sized” baby spider plant anxious to receive a new home.
One event I particularly enjoyed took place at the Clay Family Picnic Pavilions. Kids and parents came curious to see what creepy, spooky creatures of Halloween might crawl around, fly, or calm down to be petted. The live animal presentation revealed interesting reptiles from everywhere, perhaps even some backyards upstate or in the South.
In the photos are the popular Wilma, a lizard who sustained the children petting her with peace and calm, and Skittles the milk snake who also was petted by the children and remained peaceful throughout. One can see the various creatures Saturdays and Sundays, 1 & 3 p.m. until 29 October.
The New York Botanical Garden contains a fabulous and beautiful world of treasures for everyone. If you can catch the Chihuly Exhibit during the day, you will be thrilled. Unfortunately, tickets to Chihuly Nights have been sold out for the last week. However, if you go during the day over the weekend, make sure to get there early. The parking is limited. And even if it is a bit colder, New Yorkers and out-of-towners want to take a last breathtaking look at the NYBG Chihuly exhibit before it leaves. Thankfully, I took many pictures in remembrance. When winter approaches in earnest in New York City, I will look back at this article and my pictures in fond remembrance.
For events at the NYGB, CLICK HERE.
‘Jazz and Chihuly, Songs of Protest & Reconciliation,’ New York Botanical Garden Summer Concert Series
Considering the Charlottesville, Virginia August 11th incidents and the tragic loss of one woman’s life, up through the president’s press conference of Tuesday, August 15th, these days of August have been tumultuous and divisive. Indeed, taking a stand to uphold human rights and decry hate groups that seek mainstream political power appears to be more vital than ever as protest marches this past weekend indicate. Symbolic action, whether it is through protest demonstrations or concerts is a reminder to all that Love trumps Hate. A great majority of Americans are committed to upholding the sanctity of every life, regardless of race or religion.
Serendipitiously, the final summer concert series at the New York Botanical Garden on Friday, 18 August was a majestic reminder of this citizen commitment. Despite the threatening thunderstorm and intermittent periods of rain throughout the day, the turnout to embrace Jazz and Chihuly, “Songs of Protest & Reconciliation” was overwhelming.
The tent was packed with a diverse crowd who were there to enjoy the all-star musical group led by award-winning pianist and vocalist, Damien Sneed, guest trumpeter Keyon Harrold and the other prodigiously talented musicians and vocal artists. Together, these individuals presented an evening of entertainment that was poignant and joyful. And after joining with them in celebrating some of the best songs created by greats of jazz, soul, gospel and contemporary music (including two composed by Damien Sneed), the audience was sent out into the night sans rain to appreciate the luminous Chihuly sculptures presented throughout the grounds and in the Enid A. Haupt Conservatory.
This final concert in the summer series was co-produced by the Catskill Jazz Factory and Absolutely Live Entertainment. The Catskill Jazz Factory encompasses a dynamic jazz program whose mission is to aid some of the finest young jazz artists with year-round workshops, concerts, residencies and world-class performances in the Hudson Valley. Absolutely Live Entertainment is a festival, tour and concert production company spearheaded by Danny Melnick. Malnick is the Producer of the Newport Jazz Festival and the Artistic Director of Carnegie Halls’ The Shape of Jazz series.
Damien Sneed is a master of practically every musical genre and a 2014 recipient of the Sphinx Medal of Excellence honor which is presented annually to emerging Black and Latino leaders in classical music. His facility with jazz, gospel, pop, R & B, opera and musical theater and his work with Aretha Franklin, Wynton Marsalis, Stevie Wonder and Diana Ross have served him in excellent stead.
Sneed facilely shepherded the ensemble of vocalists Chenee Campbell, Anitra McKinney, Djore Nance, Tiffany Stevenson, Matia Washington and musicians Stacy Dillard (saxophone) Corey Wilcox (trombone) Julius Rodriguez (Hammond B3 organ) John Matthew Clark (bass guitar), Mark Clark, Jr. (drums). The songs of protest “I Wish I knew How it Would Feel to Be Free” (Nina Simone), “Oh Freedom,” (African-American spiritual), “Follow the Drinking Gourd (Underground Railroad) and “Freedom (excerpt)” (Duke Ellington) for example, emphasized every individual’s yearning for freedom and what freedom means collectively and personally.
During the first half of the evening, an audience member brought up a T-Shirt and draped it on a music stand. The T-Shirt had the logo, “Black Lives Matter.” Her action was spontaneous and unstaged.
Interspersed with these songs of protest were the songs of reconciliation: “Bridge Over Troubled Water” (Simon and Garfunkel), “God Bless the Child, (Billie Holiday & Arthur Herzog, Jr., “Proud Mary,” (John Fogarty), “Is My Living in Vain,” (Twinkie Clark & The Clark Sisters) and more. Each number featured a powerful solo by one of the vocalists. The audience showed their appreciation with standing ovations.
During the second portion of the evening, Keyon Harrold performed a song he had composed. Harrold presented “When Will The Killing Stop?” as a dedication to Michael Brown and all the young, black men who have been killed for “no good reason.” His playing was at once soulful and poignant, his talent incredible. It is no wonder he has been featured on nearly 100 albums with a wide music range from jazz to R & B, from pop and gospel, to blues and hip-hop.
By the conclusion of the evening, the storm and rain had stopped and the audience had been refreshed and uplifted by the development of the program from seeking soul freedom to the process by which that freedom evolves: forgiveness, reconciliation and love.
On this night the evolution was inspired through music and exceptional artistry which united and uplifted a community of jazz, botanical and Chihuly enthusiasts. For audience members it was a clarification of the last few weeks and exemplification of all that is best in human hearts, further embodied by our wonderment at the fantastic, illuminated Chihuly sculptures.