So what’s life like for a lovely Jewish girl as she evolves into a lovely Jewish woman who marries a few times and has a fulfilling family life with husband and children after a long inquiring journey toward finding her voice? Lois Robbins (TV Land’s “Younger”; Cactus Flower) directed by Karen Carpenter (Love, Loss, and What I Wore) in her solo, one-woman show L.O.V.E.R. explains it all to you with tongue-in-cheek humor and great good will. As she entertainingly confesses her journey of many loves, she explains how she reconciles her loves and and losses to settle into her own measure of womanhood, confident and serene at the last.
With scenic design by Jo Winiarski, lighting design by Jeanette Oi-Suk Yew, sound design by Jane Shaw and styling by Fayola Ricotta, Lois Robbins’ woman shares her early stories of budding sexuality before she even realized what she was doing (masturbating) but it “really felt good.” There wasn’t an edge of a table or a vibrating washing machine she didn’t pass up. It was only much later in her burgeoning sexual love life did she realize what she had accomplished as a youngster.
The retelling of these events during her childhood are humorous and playful. Certainly, she had found a source of comfort and enjoyment without the stigma of “religious” guilt dumped on her. This is the first of Robbins’ bravo moments. Her happy-go-lucky attitude and finesse steer the show through many such fun, lively, authentic moments.
From this young age Robbins chronicles her youth and beyond. The stories she spins of boyfriends and relationships eventually bring her to the doors of marriage which she relates as a unique adventure with her first husband. Throughout, her quips and commentary resound with humanity and wit. She always seems to land on her feet as wisdom trails her journey into divorce and a second marriage which satisfies.
Both men and women will enjoy Robbins’ energy and vitality as she relates a variety of tales that are humorous, unusual and memorable. Throughout, we are reminded of ourselves in young love, impulsivity, marriage, relationship woes, mishaps and sheer zaniness. And then as Robbins so eloquently relates, she matures to understand the impact of her actions on herself and others. As this canny woman pulls herself together, she walks on the lighter side of life. By doing so she gains our empathy and we enjoy sitting back and listening to the final events in her evolution as a woman, who at the end, is able to define for herself what the letters L.O.V.E.R. mean for her.
This vibrant comedy is for you if you are looking for a break from darker aspects of love, life and relationships that end abruptly or sour into bitterness. There is little of the cryptic or cynical here. That is refreshing! Robbins’s gift is her ability to engage the audience as a confidante. Gradually, willingly the audience travels with her on her adventures as a listening friend. Robbins has mastered a relaxed delivery shepherded by the apt direction of Karen Carpenter. And with the use of the minimalistic set (stairs wrapped in a flowing sheet as an everpresent reminder where love often happens, between the sheets) the solo performance slips by with ease to achieve its satisfying conclusion.
L.O.V.E.R. is enjoying its Off Broadway premiere. It runs without an intermission at The Alice Griffin Jewel Box Theatre (480 West 42nd Street) at The Pershing square Signature Center. The last performance is Saturday, 2 November. For tickets and times CLICK HERE.