Each day the COVID 19 pandemic takes another swipe at the New York theater community as notifications of deaths (playwright Terrance McNally, actor Mark Blum, former Drama Desk President William Wolf) darkly bloom. Theaters will remain closed for the end of the month and most probably into the summer, if state and federal projections are to be believed. Thus, we wait and create and pray supporting each other with phone calls, emails, social media posts virtual presentations, meetings and parties on Zoom.
Show business folks have always helped one another. Currently, Brad Paisley, John Bon Jovi, Dolly Parton and other celebrities have stepped up donations. And beautiful financial flowers are burgeoning from GoFundMe campaigns springing up to support artists. Along with smaller operations, tried and true foundations like the Actor’s Fund and Broadway Cares/ Equity Fights AIDS, Dramatists Guild, League of Professional Theatre Women and New York Women in Film and Television to name a few are available with support for their members and freelance artists.
Freelancers are especially hard hit. They do not number amongst the 6.5 million who have filed for unemployment insurance (the number was posted on the news this morning). Not having a regular paycheck but living gig to gig, they are the invisible casualties of this war against a deadly molecule that strikes through those who are asymptomatic and “healthy,” but who are carriers of the spread. Clearly, more needs to be done by those of means who love theater and are devastated that COVID 19 has slammed into New York.
On that note The Bret Adams and Paul Reisch Foundation has decided to create an uplifting way to distribute the funds for their 2020 Idea Award for Theatre. This spring, the foundation will offer up to 40 emergency grants of $2,500 each to playwrights, composers, lyricists and librettists who have had a full professional production cancelled, closed, or indefinitely postponed due to the COVID-19 closures. A total of $100,000 will be distributed to theater writers.
Eligible playwrights, composers, lyricists, or librettists should apply at this link. Writers who have had a professional production canceled may submit their name and proof of a professional show’s closure. (“Professional,” in this case, is defined as LORT, Off Broadway, or Broadway). Each artist can submit only once. If there are more than 40 applicants, the Foundation will award grants by lottery, allowing them to give out the greatest amount of money directly into the pockets of the artists who have been most affected.
The submission deadline is April 14. The Foundation hopes to make funds available to artists as quickly as possible to forge a path to provide a bit of hope and relief and especially to guide others to do the same for artists in this unprecedented time.
The Bret Adams & Paul Reisch Foundation is a charitable foundation. Its mission is to give money to writers to write plays with ‘big ideas.’ This year, their ‘big idea’ is to help those “who have had productions cancelled,” said Bruce Ostler, V.P. and Board Member of The Bret Adams and Paul Reisch Foundation.
Ostler’s point is well taken and unfortunately, true when he affirms, “The economic model of theatre in the 21st century works much like it did in the 16th century, in that a playwright receives a percentage of the box office sales; without an audience, the box office receipts and royalty to playwrights dry up. In no uncertain terms, the business of theatre today has ground to a shocking halt due to the pandemic. Playwrights are not salaried workers and therefore are NOT eligible for unemployment for a cancelled production. That is the harsh reality of theatre today.”
Theatrical Agent Bret Adams and his partner Dr. Paul Reisch loved the theatre with great passion. As an agent, Bret shepherded the careers of many actors, writers and directors and designers, including Phylicia Rashad, Judy Kaye, Ruby Dee, Ossie Davis, Sherman Helmsley, Anna Maria Alberghetti, Eve Arden, Christine Ebersole, Kathleen Marshall, Jayne Wyman, Andre DeShields, Kathy Bates, and more.
After Bret and Paul’s passing, in 2006 and 2015, their foundation was created at their bequest. The Bret Adams and Paul Reisch Foundation champions visionary playwrights and embraces diversity in all its forms. It especially encourages fresh perspectives – particularly those from underrepresented backgrounds – to create idea-driven new plays and musicals. These may include a variety of themes, i.e. science, history, politics and sexual orientation. For more information, visit www.BretnPaulFoundation.org.