‘FLOWER POWER,’ Peace, Love and Plants at the New York Botanical Garden

The peace sign bathed in flowers, reflecting pool installation at the Leon Levy Center, NYBG. (Carole Di Tosti)
The peace sign bathed in flowers, the overarching symbols of the NYBG Flower Power Exhibit. This outdoor reflecting pool installation is near the Leon Levy Visitor’s Center at NYBG. (Carole Di Tosti)
Initially created as a logo for Britain's Nuclear Disarmament Campaign, it morphed into a symbol melding nuclear disarmament and anti-Vietnam War protests as the war escalated until it widely became a general anti-war symbol of peace. (Carole Di Tosti)
Initially created as a logo for Britain’s Nuclear Disarmament Campaign in the late 1950s, it morphed into a symbol melding nuclear disarmament activism and anti-Vietnam War protests. As the war escalated until it widely became a general anti-war symbol of peace. (Carole Di Tosti)
The back of the sign in the reflecting pool begging for some flowers to be tossed into the pool as an affirmation of peace (Carole Di Tosti)
The back of the sign in the outdoor reflecting pool at NYBG, begging for some flowers to be tossed into the pool as an affirmation of peace (Carole Di Tosti)

Flower Power

Peace sign and myriad flowers close up at NYBG (Carole Di Tosti)
Peace sign and myriad flowers close up at NYBG (Carole Di Tosti)

The Multidisciplinary Exhibition Celebrating Flowers as a Cultural Symbol, Opens MAY 23, 2026.

Exhibit signage at NYBG describing the history of the theme against the 1960s and the importance of the theme as it relates to the Garden and our lives today (Carole Di Tosti)
Exhibit signage at NYBG describing the history of the theme against the 1960s and the importance of the theme as it relates to the Garden’s mission and our lives today (Carole Di Tosti)
Poet Allen Ginsberg argued demonstrators should use masses of flowers to symbolize the visual power of anti-war protests. As the decade progressed, "Flower Power" came to be associated with the broader values of he counterculture movement: peace, environmentalism and love. NYBG signage (Carole Di Tosti)
In his essay, activist and poet Allen Ginsberg argued that demonstrators should use masses of flowers to symbolize the visual power of anti-war protests. As the decade progressed, “Flower Power” came to be associated with the broader values of he counterculture movement: peace, environmentalism and love. NYBG signage (Carole Di Tosti)

FLOWER POWER’S CONTINUED RELEVANCE

Nothing more iconic than the volkswagon bus carrying  flower children on journeys cross country or to a protest. Here, the flowers are drawn from the Codex de la Cruz Badiano (1552), the earliest known book on herbal medicine from the Americas. Artist Blanka Amezkua applies flower remedies onto a bus, and transforms this 60s symbol into a moving altar of healing and remembrance. (Carole Di Tosti)
Nothing more iconic than the volkswagon bus carrying flower children on journeys cross country or to a protest. Here, the flowers are drawn from the Codex de la Cruz Badiano (1552), the earliest known book on herbal medicine from the Americas. Artist Blanka Amezkua applies flower remedies onto a bus, and transforms this 60s symbol into a moving altar of healing and remembrance. (Carole Di Tosti)
Volkswagon bus detail, note the passenger flowers. Vinyl on found VW van at NYBG (Carole Di Tosti)
Volkswagon bus detail, note the passenger flowers. Blanka Amezkua, vinyl on found VW van at NYBG (Carole Di Tosti)

What more appropriate theme for the summer exhibition at NYBG could there be in our current times which are a throwback to the 1960s when the term “Flower Power” was coined by Allen Ginsberg. The hippies or “flower children” as they came to be known, protested to “make love, not war,” and demonstrated with flowers to replace weapons as they marched and sang, “all we are saying is give peace a chance.”

Colorful poster art was the rage. On the walkway up to the Enid A. Haup Conservatory we see Mushuman's hand painted tapestry installations sing their color inside and outside Flower Power, NYBG (Carole Di Tosti)
Colorful poster art was the rage. Eugenia Mello’s banner captures the colorful, psychedelic bold colors of he 1960s. On the walkway up to the Enid A. Haup Conservatory, Flower Power, NYBG (Carole Di Tosti)

On college campuses throughout the nation the youth protested the Vietnam War. This gave rise to an explosion of cultural changes in the arts, social dynamic and environmental concerns. These revolutionized aspects of industry and perspectives, and also created a backlash of conservatism we are still experiencing today. The ideas from that time have remained continually relevant.

Don't forget to read the signage for Flower Power to fully appreciate and enjoy the exhibit, NYBG (Carole Di Tosti)
Don’t forget to read the signage for Flower Power to fully appreciate and enjoy the exhibit, NYBG (Carole Di Tosti)

As a supreme irony, the theme is appropriate today, though that is the last thing that the NYBG team had in mind when they collaborated to come up with “Flower Power” over two years ago. When they arrived at this theme, little did they know that they were prescient, with a highly topical theme. There was a different administration in the White House and war was nowhere on the horizon, nor were the issues of the 1960s like equality, voting rights and equal opportunity an overarching concern. Never in the imagination of the NYBG team nor the 99% of our nation’s non-billionaires did we fathom that the “State of the Union” would be where it is today. The parallels are astounding.

Entrance to 'Flower Power' at the NYBG Enid A. Haupt Conservatoy (Carole Di Tosti)
Entrance to Flower Power at the NYBG Enid A. Haupt Conservatory (Carole Di Tosti)
Closer detail of the Enid A.Haupt Conservatory at NYBG (Carole Di Tosti)

FLOWER POWER AND WHAT IT REPRESENTS HAS BECOME A NECESSITY IN OUR LIVES AND FOR ALL TIME AS A VIBE FOR LIVING IN FREEDOM WITHOUT FINANCIAL OPPRESSION.

“Flower Power” conveys symbols of peace and love that advance closer relationships with the natural and human world. This is what NYBG’s mission is about.

VW bus detail.  Acrylic and aerosol paint on found VW van by Carlos Wilfredo Encarnacion-Vazquez, an installation as part of the 'Flower Power' exhibit at NYBG (Carole Di Tosti)
VW bus detail. Acrylic and aerosol paint on found VW van by Carlos Wilfredo Encarnacion-Vazquez, an installation as part of the Flower Power exhibit at NYBG (Carole Di Tosti)

How is this theme so timely? First, the country disagrees with the administration’s failed War in Iran which polls suggest is completely unpopular with the American people. Unlike the War in Viet Nam, the Iran War is a war which the administration started without congressional approval or justification. Furthermore, and worse, it was influenced by a leader who for forty years tried to get previous US leaders to attack Iran, to no avail. The current administration jumped to the influencer’s recommendation in error and without congressional consent.

Hand painted tapestry installation on the great lawn in front of the Enid A. Haupt Conservatory at NYBG (Carole Di Tosti)
Hand painted tapestry installation by Mushuman on the great lawn in front of the Enid A. Haupt Conservatory at NYBG (Carole Di Tosti)
Hand painted installation detail on the great lawn facing the NYBG Enid A. Conservatory entrance to 'Flower Power' (Carole Di Tosti)
Mushuman’s hand painted tapestry detail on the great lawn facing the NYBG Enid A. Conservatory entrance to Flower Power (Carole Di Tosti)

GIVING PEACE, ECONOMIC AND ENVIRONMENTAL WISDOM A CHANCE THEN AND NOW

So now, the American people once more rely on “Flower Power,” and the idea to “give peace a chance.” Also, in the 1960s was the push for equality and an end to discrimination in voting rights. There were famous marches and the youth marches against the Viet Nam War melded with marches against segregation and for equal rights. Flower Power and the association of peaceful marches trended then. Who could possibly think that similar marches and protests would happen today or that voting rights would ever become an issue today?

Sculptor Amie Jacobsen's take on "Flower Power," stained wood, steel, reesin and LED light, NYBG Palms of the World Gallery, Enid A. Haupt Conservatory, (Carole Di  Tosti)
Sculptor Amie Jacobsen’s take on “Flower Power,” stained wood, steel, reesin and LED light, NYBG Palms of the World Gallery, Enid A. Haupt Conservatory, (Carole Di Tosti)
Detail of the installation at Palms of the World Gallery, NYBG (Carole Di Tosti)
Detail of the installation at Palms of the World Gallery, NYBG (Carole Di Tosti)

THEN AS NOW: MARCHES

Ironically, there have been millions marching to show their displeasure with the current administration’s policies on war, on tariffs, on thousands of job cuts by DOGE, and on the January 2025 raid and privacy theft at the Treasury Department. It was then that Americans’ SS data which is to say access to Americans’ financial data, tax data, medical records and all records and information related to SS numbers was illegally downloaded to servers held by DOGE youngsters unauthorized by Congress to hold such data.

Behind Amie Jacobsen's installation which is even more intriguing at NYBG Palms of the World Gallery (Carole Di Tosti)
Behind Amie Jacobsen’s installation which is even more intriguing at NYBG Palms of the World Gallery (Carole Di Tosti)

THEN AS NOW: LEGAL VIOLATIONS

This privacy breach unauthorized by Congress compromised and still compromises immigrants (not yet citizens who pay taxes) and citizens’ privacy in violation of federal and state law. This lawbreaking by the administration has not yet been corrected or punished. In addition protests have been against out-of-control inflation rates, tearing down of the White House East Wing and much more which in effect has been a war against those American people who are not billionaires.

Walkway in the NYBG Enid A. Haupt Conservatory, 'Flower Power' exhibit (Carole Di  Tosti)
Walkway in the NYBG Enid A. Haupt Conservatory, Flower Power exhibit. Giving homage to the radical, psychedelic posters whose visual language defined the 1960s, Eugenia Mello captures this energetic visual art form with her bold, layered patterned banners (Carole Di Tosti)
Brooklyn based artist Eugenia Mello’s colorful banners on the NYBG Enid A Haupt Conservatory walkway (Carole Di Tosti)

THEN AS NOW: CIVIL RIGHTS ISSUES

Worst of all there have been protests against the dismantling of the Voting Rights Act with the attempt to gerrymander the Black population out of their voting rights in southern Red States. This recalls the Civil Rights marches during the 1960s. Since the Roberts court allowed gerrymandering in the Red States to reconfigure voting maps, the Court’s failure to uphold the Constitution has been done as an attempt to disenfranchise Southern Black people to prevent a majority Democratic congress. which will impeach and humiliate the occupant of the WH a third time with the intent of trying and jailing him for high crimes and misdemeanors.

Eugenia Mello's banners on the NYBG Enid A Haupt Conservatory walkway (Carole Di Tosti)
Brooklyn based artist Eugenia Mello’s banners on the NYBG Enid A Haupt Conservatory walkway (Carole Di Tosti)
An explosion of cultural change mirroring the rejection of false conservatism that took many forms of expression in student activism, art, and rock and roll music, stripped away at the dishonesty of the previous generation’s false conformity. “If you go to San Francisco, be sure to wear flowers in your hair,” Scott McKenzie’s song manifested the innocence, hope and gentility of the time.
Amie Jacobsen's pièce de résistance sculpture in the theatrical showpiece gallery at the NYBG Enid A. Haupt Conservatory (Carole Di Tosti)
Amie Jacobsen’s pièce de résistance sculpture in the theatrical showpiece gallery at the NYBG Enid A. Haupt Conservatory (Carole Di Tosti)

WE NEED FLOWER POWER NOW!

If ever there was a time that begs for Flower Power, “coming together” to “give peace a chance” it is today. Completely unintentional as a prescient, current theme, the Garden team anticipated that the theme “Flower Power” presents a vibe, a mood, a style we should be embracing. The timeless theme lands at the right time. “Giving peace a chance and making love, not war” is what the country wants. The exhibition invites visitors to “come together” and embrace flowers as meaningful symbols in our own lives. Joanna L. Groarke, Vice President of Exhibitions and Programming at NYBG says, Flower Power reminds us that plats have always been a shared language, one that artists return to again and again to express hope, harmony and connection.”

NYBG Mertz Library building, with a school bus painted by Snoeman (Carole Di Tosti)

The Garden-wide takeover also includes a gallery presentation (NYBG Mertz Library building) which features a display of paintings, photographs, screenprints and collages by artists from the 1960s and ’70s that depict flowers as symbols of peace and love. Andy Warhol’s Flowers (1964) is on view alongside the image used as source material for the work, a photograph taken by nature photographer and environmental activist Patricia Caulfield.

Andy Warhol's Flowers (1964) at the NYBG Mertz Library (Carole Di Tosti)
Andy Warhol’s Flowers (1964) at the NYBG Mertz Library (Carole Di Tosti)
The famous photograph manifests the meme of the time visually, Flower Power at NYBG Mertz Library (Carole Di Tosti)
One of many famous photographs that manifests the meme of the time visually, Flower Power at NYBG Mertz Library (Carole Di Tosti)

The famous photograph of an activist reacting to a firing arm and other archival photographs, news footage, memorabilia, books, art and first editions of critical feminist and environmental texts (Betty Friedan’s The Feminine Mystique and Rachel Carson’s Silent Spring are at the NYBG Mertz Library.

LIQUID LIGHT SHOWS ARE A MULTIMEDIA PERFORMANCE ART

On select evenings starting May 30, 2026 Flowr Power comes alive with an astonishing liquid light show and joyful live music. Each night features a headlining band on stage whose work brings a fresh, modern edge to the iconic and free-wheeling, spirited sound of the late ’60s. These include Ghost Funk Orchestra (May 30), Habibi (June 13), Evolfo (June 20) and Woods (June 27). Colorful visuals by LIQUID LIGHT LAB transform the Mertz Library facade into a mesmerizing psychedelic canvas.

FLOWER POWER RUNS THROUGH OCTOBER 18, 2026

For more information on GARDEN programing go to the NYBG site. https://www.nybg.org/event/flower-power/?gad_source=1&gad_campaignid=23859997109

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About caroleditosti

Carole Di Tosti, Ph.D. is an Entertainment Journalist (Broadway, Off Broadway, Drama Desk voter) novelist, poet and playwright. Carole Di Tosti has over 1800 articles, reviews, sonnets and other online writings, all of which appear on her website: https://caroleditostibooks.com Carole Di Tosti writes for Blogcritics.com, Sandi Durell's Theater Pizzazz and other New York theater websites. Carole Di Tost free-lanced for VERVE and wrote for Technorati for 2 years. Some of the articles are archived. Carole Di Tosti covers premiere film festivals in the NY area:: Tribeca FF, NYFF, DOC NYC, Hamptons IFF, NYJewish FF, Athena FF. She also covered SXSW until 2020. Carole Di Tosti's novel 'Peregrine: The Ceremony of Powers' was released in 2021. Her poetry book 'Light Shifts' was released in 2021. 'The Berglarian,' a comedy in two acts was released in 2023.

Posted on May 21, 2026, in New York Botanical Garden, NYBG EXHIBITS, NYC Download and tagged , , , , , , , , . Bookmark the permalink. Leave a comment.

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