Category Archives: NYBG EXHIBITS
New York Botanical Garden Holiday Train Show 2018

27th NYBG Holiday Train Show, Applied Imagination, Historic Pennsylvania Station (building demolished 1964), (Carole Di Tosti)
Regardless of how busy I am, I always attend the Holiday Train Show at the New York Botanical Garden in the Bronx, NY. One of the most well attended of their shows along with their Orchid Show and special summer exhibits, The Holiday Train Show holds lustrous wonders. And whenever possible before the start of the show, I enjoy speaking with Applied Imagination personnel. For they have conceptualized, designed and created the innovations for the NYBG Holiday Train Show since its inception.

Thomas the Tank Engine steaming around the Queens County Farm replica (1772) at the NYBG 27th Holiday Train Show, Applied Imagination (Carole Di Tosti)

3000 foot display at NYBG 27th Holiday Train Show, Applied Imagination (Carole Di Tosti)
Now in its 27th year the show’s expansion continues. Indeed, more trains have been added. Also, the materials used to perk up the displays appear fresh and more vibrantly colorful than ever.

Applied Imagination Studios are in Alexandria, Kentucky, NYBG Holiday Train Show 2018, (Carole Di Tosti courtesy of the NYBG introductory film)

Crafting a replica from organic plant parts and other organic or biodegradable materials, Applied Imagination Studio, 27th Holiday Train Show at NYBG (Carole Di Tosti courtesy of the NYBG introductory film)
The introductory film, referencing Applied Imagination Studio workshops in Alexandra, Kentucky, discloses a behind the scenes look. From Alexandria, the miniature botanical sculptures rise from their humble plant-part beginnings.

(L to R): Leslie Salka, Laura Busse Dolan, Paul Busse, Applied Imagination Studio in Alexandria, Kentucky, NYBG Holiday Train Show 2018 (photo by Carole Di Tosti-courtesy of the NYBG introductory film for the Train Show 2018)
In addition to showing the workshops at Applied Imagination Studio, staff and the team of the NYBG (for example Karen Daubmann, Todd Forrest) and for Applied Imagination (Leslie Salka and Laura Busse Dolan) explain which replicas are their favorites. Indeed, each year Applied Imagination adds excitement and grandeur to their New York collection. This year the newest replicas shine in the reflecting pool of the Palms of the World Gallery.

Replicas of the ferry and buildings in lower Manhattan, Palms of the World Gallery and Reflecting Pool, NYBG Holiday Train Show 2018, (Carole Di Tosti)

Palms of the World Gallery and Reflecting Pool, Manhattan ferry replica detail, NYBG Holiday Train Show 2018, Applied Imagination (Carole Di Tosti)
The best way to see The Holiday Train Show is to visit a few times. One time, visit with family. Especially bring children who will adore the variety of trains from trolleys, to passenger liners, to freights, locomotives and diesels. And come on Member Day. Then you will receive a 20% discount in the Garden Shop to spend on gifts.

Replicas: Elephantine Colossus, Luna Park Gate, Coney Island, 27th NYBG Holiday Train Show, Applied Imagination (Carole Di Tosti)

Replica detail, Elephantine Colossus, Coney Island, banana gourd tusks, seed decorations, citric eyes, NYBG Holiday Train Show 2018, Applied Imagination (Carole Di Tosti)
Also, meander through the conservatory taking your time, if there aren’t crowds. Appreciate the intricate detail of each replica. Compare the plant parts to architectural structures, like roofs, cornices, columns, bricks, slate, stone and more. Try to identify what plants are used. Look for the moss, the leaves, the shelf fungus and the gourds. Look for the seed pods and acorns.

Stephan A. Schwarzman Building replica, NY Public Library, NYBG Holiday Train Show 2018, Applied Imagination (Carole Di Tosti)

Detail, shelf fungus used on the steps of the Stephen A. Schwarzman Building replica, NY Public Library, 27th Holiday Train Show, NYBG, Applied Imagination (Carole Di Tosti)

Lion statue detail carved from a seed pod, Stephan A. Schwarzman Building , NY Public Library, 27th Holiday Train Show, Applied Imagination (Carole Di Tosti)
On the New York Public Library, the lions faces are carved from pods. Look for the berries used for color on Poe Cottage. You will perhaps take in only 1/100 of the detail present. And then you will probably forget it by the time you visit the show next year. Why? The various replicas will be arranged in completely different displays. And there will be new innovations and new replicas with their maverick conceptualizations. If there is one thing about the Museum quality spectacles with the NYBG exhibits, they are always unique with tremendous variety. It is almost impossible to keep track unless you have photos or maps of the display changes each year.
Applied Imagination craftspersons design the replicas to miniature scale and they, like engineers attempt to get the proportions correct. That takes consummate drafting skills. Constructing with precision, they follow archived historic photographs. What most amazes me is their assiduous attention to biological forms, for example how a banana shaped gourd might follow the shape of an elephant tusk. Or how the breadth of shelf fungus would simulated a roof. Truly, through years of experience, they have mastered the art of replica-making and have brought us to the edge of heaven by using plants which you would never imagine could entertain and delight in the way they use them.

Poe Cottage replica, NYBG 27th Holiday Train Show, Applied Imagination (Carole Di Tosti)

Detail Poe Cottage replica, berries, floral petals, herbs, sticks, NYBG 27th Holiday Train Show, Applied Imagination (Carole Di Tosti)

NYBG Holiday Train Show 2018, Solomon R. Guggenheim Museum, Building completed 1956-1959, Model completed, 2001), the roof is made of shelf fungus (Carole Di Tosti)
Only when I move slowly do I appreciate the botanical replicas of buildings that once sat in high esteem during New York’s Gilded Age. These buildings so expensive to maintain, owners demolished (Senator William Andrews Clark House). This made way for modern apartment buildings to house the growing uban population.

Museum Mile replicas, NYBG Holiday Train Show 2018, Applied Imagination (Carole Di Tosti)

The Jewish Museum replica (The Felix M. Warburg House),, NYBG Holiday Train Show 2018 (Carole Di Tosti)

Manhattan Bridge in the background, various mansion replicas, NYBG 27th Holiday Train Show, Applied Imagination (Carole Di Tosti)
In the case of The Samuel J. Tilden House (The National Arts Club), The Morris-Jumel Mansion and The Felix M. Warburg House (The Jewish Museum), un-affordable grand mansions became museums, funded by non profit organizations. By profoundly, carefully viewing the structures in the Holiday Train Show, you take a stroll back into the history of New York. And what an amazing and precious stroll this is, for it inspires your imagination to reflect about the past. And this reflection grounds you front and center in the present.

Rockefeller Center replica, Channel Gardens, NYBG Holiday Train Show 2018 (Carole Di Tosti)

Detail Rockefeller Center, Channel Gardens, NYBG Holiday Train Show 2018

Angel detail of plant parts, Rockefeller Center, NYBG Holiday Train Show 2018 (Carole Di Tosti)
Applied Imagination and the NYBG team collaborate for months beforehand. After they agree on the innovations and drawings and their placement in the conservatory, then begins the next phase. They construct the replicas from botanicals (sticks, fungus, moss, leaves, gourds, bark, acorns, nut shells, pepper flakes, etc.). Some of these plant parts come from around the fields of Alexandria, Kentucky. Other bits and pieces (various gourd parts, etc.), come from suppliers.

NYBG Holiday Train Show, Museum Mile Manhattan, Applied Imagination (Carole Di Tosti)

Park Avenue Armory (Building completed 1881, Model completed, 2008), NYBG Holiday Train

Detail, NYBG Holiday Train Show 2018, Applied Imagination (Carole Di Tosti)

NYBG Holiday Train Show, 2018 detail, Applied Imagination (Carole Di Tosti)
After the construction Applied Imagination ships the replicas to the NYBG. Then additional fun begins. Within the span of two weeks, volunteers and staff set the stored and new models in beautiful plantings. Indeed, the arrangements accommodate permanent conservatory trees, etc. And a variety of completely new floral plantings (orchids, violets, bromeliads, cyclamen, Christmas Cactus, lilies, etc.), and various ferns, bamboo, ivy, pothos, dracena, Norfolk Island Pines and other shrubs and greenery volunteers and staff position to complement the 25 gauge model trains sweeping down 1/2 miles of railroad track.

Replica of the Terminal Warehouse 27th and 12th Manhattan, 1891, NYBG Holiday Train Show 2018 (Carole Di Tosti)

Bedford Hills Station, Hudson and Harlem Line, NYBG Holiday Train Show 2018, applied Imagination (Carole Di Tosti)

Bedford Hills Station replica, Hudson and Harlem Line, NYBG Holiday Train Show 2018, Applied Imagination (Carole Di Tosti)
Quaintly, the trains peek out from low hanging branches and water displays. Then they emerge and whip around the tracks like racers. In the 3000 foot expansion a myriad number and type of trains fly above on trestles and bridges.

360 degree display, NYBG Holiday Train Show 2018, Applied Imagination (Carole Di Tosti)

Grand Central Station replica, 2018 Holiday Train Show, Applied Imagination (Carole Di Tosti)
Locomotives, freights, trolleys and passenger liners whoosh around The Enid A. Haupt Conservatory replica. And they bustle through replicas that include Grand Central Station and historic Pennsylvania Station (demolished 1964). What a fantasy wonderland! It is an unparalleled treasure for New Yorkers, Manhattanites and tourists who come to the city for the holidays.

A vista of NYC bridge replias (Hell’s Gate, GW Bridge, Brooklyn, 5 in all), NYBG Holiday Train Show 2018, Applied Imagination (Carole Di Tosti)
As the piece de resistance this year, the Holiday Train Show presents the birthplace of New York City, Lower Manhattan as its star attraction. Of course the central feature is One World Trade Center. Branches form the sides of the building and the emphasis is on freedom and a resurrection from the destruction in 2001. Also in the Palms of the World Gallery and Reflecting Pool, you will find the replica of the Beaux-Arts Battery Maritime Building. Gliding in stasis on the pool surface are two vintage ferry boat replicas (Bronx and Manhattan).

Palms of the World Gallery and Reflecting Pool, replicas of the Woolworth Building, One World Trade Center and Maritime buildings NYBG Holiday Train Show 2018 (Carole Di Tosti)

Another view, lower Manhattan scene, ferry replicas, maritime buildings, Woolworth Building, One World Trade, 2018 NYBG Holiday Train Show, Applied Imagination (Carole Di Tosti)

Upside down reflection, One World Trade replica, Palms of the World Gallery and Reflecting Pool, NYBG Holiday Train Show 2018 (Carole Di Tosti)

Detail of the Oculus replica, One World Trade Center, Palms of the World Gallery and Reflecting Pool, NYBG Holiday Train Show 2018, Applied Imagination (Carole Di Tosti)

Detail, the Oculus replica at the foot of One World Trade Center, Palms of the World Gallery and Reflecting Pool, NYBG Holiday Train Show 2018 (Carole Di Tosti)
Other buildings include the Battery Park Control House, the 60-story Woolworth Building, the Terminal Warehouse (1890), and the crown jewel replica, One World Trade Center. One World Trade remains the tallest building in the Western Hemisphere and the sixth-tallest building in the world. Additionally, the unique Oculus replica is placed at the foot of One World Trade Center. The Oculus that opened in 2016 connects 11 lines of NYC’s subways, New Jersey’s PATH rail system and the Battery Park City Ferry Terminal.

Lower Manhattan Display, Bronx ferry and buildings, Palms of the World Gallery and Reflecting Pool, NYBG Holiday Train Show 2018 (Carole Di Tosti)

Replicas of ferry and buildings lower Manhattan, NYBG Holiday Train Show 2018 (Carole Di Tosti)
For specific programming, go to the New York Botanical Garden website. To sum up look for Bar Car Nights on select Fridays and Saturdays (December 15, 21, 22, 28, 29; January 5, 12). Warm up around the fire pits in the Leon Levy Visitor Center. Indeed, for the artist in you, watch live ice-sculpting demonstrations. Or sing along with dueling pianos in the Pine Tree Cafe and listen to roving a cappella groups.
Finally, enjoy former U.S. Poet Laureate Billy Collins for a special poetry reading. Collins will select 12 winning poems by students submitted to the Kid’s Poetry Contest. The poems will be displayed at NYBG during the Holiday Train Show. And the student authors will share their work during this special reading on Sunday, December 16, at 2 p.m. For more information about how to enter the Kids’ Poetry Contest visit http://www.nybg.org/poets
The New York Botanical Garden Holiday Train Show 2018 ends on 21 January.
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The 27th New York Botanical Garden Holiday Train Show Splendors

Replica of Enid A. Haupt Conservatory, NYBG, 27th NYBG Holiday Train Show, Applied Imagination (Carole Di Tosti)

27th Holiday Train Show, 3000 ft. 360 degree extension, New York Botanical Garden, Applied Imagination (Carole Di Tosti)
Once a year The New York Botanical Garden gets dressed up in the reds, greens, whites, sparkles, golds and silvers that echo all that is bright for the wintry weather and coming cold and snow. Though some dislike all the fuss of the holidays, I enjoy it, because I visit family and friends. Thankfully, I don’t have a tree and pets to wreck it.

27th New York Botanical Garden Holiday Train Show, Applied Imagination (Carole Di Tosti)

27th NYBG Holiday Train Show, Metro North, Applied Imagination (Carole Di Tosti)
I help decorate my family’s trees and enjoy the celebration of present giving especially with my young nephews and nieces. For folks like me who tangentially celebrate with friends and family, but don’t do a lot of decorating at home, the New York Botanical Garden is the place to go to feel festive. And what makes the Garden especially celebratory during the holidays is their annual train show.

St. Patrick’s Cathedral, NYBG Holiday Train Show 2018, Applied Imagination (Carole Di Tosti)

A vista of Bridges, NYBG Holiday Train Show 2018, Applied Imagination (Carole Di Tosti)
Each year various innovations are made. Displays change. Sometimes, I find I lose whole areas of New York City replicas (Coney Island, Central Park, Museum Row,) that normally are featured together. When I don’t see them, I wonder if they have been saved and stored for next year. But then I find them again in a different section of the Enid A. Haupt Conservatory than they were the previous year. Indeed, there appears to be an infinite variety of placements of the over 175 replicas that compromise the permanent Holiday Train Show collection that collaborators Applied Imagination and NYBG create for one of the most well attended events the Garden offers.

Elephantine Colossus, Luna Park Gate, Coney Island, 27th NYBG Holiday Train Show, Applied Imagination (Carole Di Tosti)
Thousands of first-time tourists, visitors and members attend each year, participating in Bar Car Nights, the Holiday Tree and Minorah Lighting Ceremony, the Annual Bird Count and much more. However, the central themes of winter reside in trains as a throwback of the past. Ironically, they are the most mechanized feature of the train show along with the colorful lights interspersed throughout. For Founder Paul Busse eschewed using the plastic villages that came with model trains. When he decided to make his architectural “villages” of organic plant parts to husband the environment and throw down the “fake,” it was a boon. For every model, ever bridge, every house, gate, feature he and later others on his staff designed, use as their building blocks plants: twigs, bark, acorns, gourds, fruits, seeds, leaves, ferns, fungus, moss, nuts, nut shells, plant fiber and much more.

Palms of the World Gallery and Reflecting Pool, One World Trade Center and Maritime buildings NYBG Holiday Train Show 2018 (Carole Di Tosti)

Detail of the Oculus, One World Trade Center, Palms of the World Gallery and Reflecting Pool, NYBG Holiday Train Show 2018, Applied Imagination (Carole Di Tosti)

The Oculus at the foot of One World Trade Center, Palms of the World Gallery and Reflecting Pool, NYBG Holiday Train Show 2018 (Carole Di Tosti)
Both Applied Imagination who creates the stupendous replicas of iconic New York City buildings and the New York Botanical Garden team work like Santa’s elves for two weeks. During that time they set up the more than 25 HG model trains that skip and breeze over 1/2 mile of track non-stop during the daytime when the Garden is open through 6 pm when it shuts down. Then the trains glide from 7-10:30 pm on select Bar Car Nights, their headlights glinting through the dark mystery of the Garden’s dense, exotic evening atmosphere.

Lower Manhattan Display, Bronx ferry and buildings, Palms of the World Gallery and Reflecting Pool, NYBG Holiday Train Show 2018 (Carole Di Tosti)
What those who have been attending the show for a while and certainly the newcomers do not realize in this 27th year of the Holiday Train Show is its evolution. Each year buildings have been added to the collection. Paul Busse always strives to forge out and tackle the different and unique, so he and his creators in Applied Imagination’s Alexandria, Kentucky Studio plan ahead with conceptualizations. After decisions in collaboration with the NYBG team, then the drawings are finalized. Then the construction begins and all is completed around the time the Garden staff strikes down the fall exhibits in the Enid A. Haupt Conservatory, the soil is regraded and plants chosen and prepared to feature the Holiday Train Show’s old and newly fabricated models.

Exquisite detail of the seeds, flower petals and twigs that comprise the stained glass windows of St. Patrick’s Cathedral replica, NYBG Holiday Train Show 2018 (Carole Di Tosti)

Laura Busse Dolan, owner of Applied Imagination (Carole Di Tosti)
The journey from start to finish is a prodigious one, but the Applied Imagination team headed up by owner Laura Busse Dolan are practiced artisans. Clearly, they enjoy giving children and adults pleasure which one can easily assess just walking from one end of the conservatory to the other listening to the kids screams (daytime exhibit) and seeing adults relaxed amble with drink in hand through sections of the conservatory during Bar Car Nights. Those nights or Member Days are a great time to reconnect with friends, lovers and partners while enjoying the splendors of the Garden’s wintertime loveliness.

New York Public Library replica, NYBG Holiday Train Show 2018, Applied Imagination (Carole Di Tosti)
The festive and popular Bar Car Nights on select Fridays and Saturdays from 7-10:30 pm, December 15, 21, 22, 28, 29, January 5, 12. for adults over 21. Have a bite to eat fro the Bronx Night Market Holiday Pop-up, There are fire pits in the Leon Levy Visitor enter. Watch live ice-sculpting demonstrations, sing along to favorite tunes with dueling pianos in the Pine Tree Cafe and listen to roving a cappella groups as they guide you through the Garden.
Join former U.S. Poet Laureate Billy Collins for a special reading of poems on December 16 at 2 pm. New this year as part of the Kids’ Poetry Contest and in partnership with the Poetry Society of America, Collins will select 12 winning poems to be displayed at NYBG during the Holiday Train Show. And the student authors will share their work during the special reading.
For special programming during the Holiday Train Show 2018, go to the New York Botanical Garden website.
NYBG Edible Academy Celebrates its Expansion
The New York Botanical Garden has always prized horticultural/environmental research, preservation and sustainability. This is especially so in this crisis period where the US no longer participates in the 2015 Paris Climate Agreement. As a part of their vision to educate children and families about how gardens improve the environmental landscape and integrate human growth, wellness and health, the NYBG is briskly moving forward to assist the global on the local level in NYC.

Children from area public schools picking the first harvest of vegetables from the Edible Academy, NYBG, Opening Day Ceremonies, June 14 (Carole Di Tosti)
The Garden is accomplishing this by operating a State-of-the Art Edible Academy that expanded their former academy into an amazing three acre campus. The central purpose of the Edible Academy is to teach children and families how to grow, harvest and prepare healthy, clean, organic produce. It is also to encourage the knowledge that sustainability in various forms like cutting down on food waste, composting, food shopping carefully, etc., are practices we should engage in to meet our personal goals to support global and local environments.

Year-round greenhouse, Edible Academy, NYBG, Opening Day Ceremonies (Carole Di Tosti)

Kitchen classroom, Edible Academy, NYBG, Opening Day Ceremonies, June 14 (Carole Di Tosti)

Kate Solomon Family Apiary, Edible Academy, Opening Day Ceremonies, June 14, 2018, NYBG (Carole Di Tosti)

Campus of the Edible Academy with guests, donors, officials viewing the buildings, NYBG, Opening Day Ceremonies, June 14, 2018 (Carole Di Tosti)

The lettuces, like all the vegetables grown at the Edible Academy, are organic, with attention to no use of chemicals to keep away insects, NYBG (Carole Di Tosti)
The NYBG has had an acclaimed garden-based education program for many years. However, to better serve the community of thousands of children in the New York City area, the Garden funded the expansion of the Ruth Rea Howell Vegetable Garden through public and private donations, totaling $28 million. The indoor-outdoor campus, designed by the Cooper Robertson architectural firm, boasts cutting-edge sustainable technology which allows the NYBG’s edible gardening program to operate year-round. With their improvements the Garden has doubled its capacity to involve children, families, teachers and the general public in programs every season.

Marigolds are a part of every organic garden to keep away insects, Edible Academy, NYBG, Opening Day Ceremonies, June 14 (Carole Di Tosti)

The Edible Academy grows different types of vegetables: lettuces, peas, kale, broccoli to name a few, NYBG, Opening Day Ceremonies, June 14 (Carole Di Tosti)

Students from Edgar Allan Poe School in the Bronx, teachers, donors and other visitors at the Opening Day Ceremony Dedication of the Edible Academy, NYBG (Carole Di Tosti)

Nasturtiums (flowers in the foreground) are keeping away aphids and other insects from the vegetables, Edible Academy, NYBG, Opening Day Ceremonies, June 14 (Carole Di Tosti)

The Ruth Rea Howell Vegetable Garden initiated in 1993, Edible Academy, NYBG, Opening Day Ceremonies, June 14 (Carole Di Tosti)

Royce Family Meadow Garden by the greenhouse has wildflowers to attract beneficial insects, Edible Academy, NYBG (Carole Di Tosti)

Another view of the Meadow Garden with State-of-the-Art Buildings in the background, Edible Academy, Opening Day Ceremonies, June 14, NYBG (Carole Di Tosti)
The Edible Academy expansion is one more turning point on the highway of success the NYBG has paved over the decades to engage children and families to understand the importance of nature in their spiritual, emotional, psychological and physical well being. The power of nature to heal is a fact which scientists may have underestimated in the past, but now are studying in earnest. Indeed, there is a renewed interest in how “getting back to the land and the soil” heals soldiers and others with PTSD and helps children and adults with psychological problems by reaffirming mind/body connections to support the whole individual’s wellness.

Vegetable beds, Edible Academy, NYBG, Opening Day Ceremonies, June 14 (Carole Di Tosti)
Additionally, as films like Eating Animals indict agribusiness, industrial farming and industrialized animal husbandry, individuals acknowledge the importance of farm to table, fresh versus canned or frozen, and organic and free ranged chicken or beef versus processed animals. The latter inhumanely raised, shot up with antibiotics, and growth-hormones and fed with bio-engineered “round-up ready” plant grains that have been sprayed with chemicals to discourage fungus or insets, are egregious components of global warming.

Herbs, purple basil, parsley, rosemary, Edible Academy, NYBG (Carole Di Tosti)

Another view from inside the kitchen classroom looking out on the garden with children and attendees to celebrate the dedication of the Edible Academy, NYBG, June 14 (Carole Di Tosti)
Not only have agribusinesses and the correlative processed food industry impoverished once noble farmers making them into indentured servants, the toxicity of food additives and preservatives have wrecked our metabolisms and immune systems. Since fast food consumerism burgeoned and profits over healthy eating became the sine quo none of the food industry in the late 1970s, obesity rates of families have risen steadily to the present. Related illnesses never seen before like increased instances of childhood diabetes, high blood pressure and inflammation have been recorded by doctors. Clearly, acidity and toxicity have overtaken our bodies based upon our eating habits as we have chosen fast food convenience over healthy planned “start from scratch” meals at home.

Various vegetables, Edible Academy, NYBG, Opening Day Ceremonies, June 14 (Carole Di Tosti)
Scientists and nutritionists have acknowledged the long-term impact of the chemicals we ingest in our food, drinks and water. In positing chemicals’ (including food preservatives, dyes, MSG, flavor enhancers) deleterious side effects on the human immune system, Europe has banned over 1000 chemicals emphasizing non GMO, non-irradiated produce and wheat, few preservatives, artisanal meat, cheese, wine and more. In France they have managed to keep out Monsanto corn and soybeans, which is the only offering in the US. In Italy they have created the slow food and slow wine movement since 1989, encouraging fresh, locally grown in cooperative farming as they eschew fast food and processed food.

Edible Academy, NYBG, fresh sweet peas have no preservatives like canned peas (Carole Di Tosti)
Thankfully, the US has caught on, though we have remained behind Europe. We only ban 80 chemicals recognized to be toxic for human consumption, which is to say there are 920 chemicals or more that should be banned. Sadly, recent political developments and the vitiation of environmental policies and Food and Drug regulations threaten even the small strides we have made.

Center- Mayor de Blasio (R) outgoing CEO and president Gregory Long, (L of the Mayor) Carrie Rebora Barratt, Ph.D. incoming CEO and president, with Chairman of the Board Maureen K. Chilton and government officials who support this effort, Edible Academy, NYBG, Opening Day Ceremonies, June 14 (Carole Di Tosti)

Rappaport Family Toolshed, Edible Academy, NYBG, Opening Day Ceremonies, June 14 (Carole Di Tosti)
Thus, the NYBG Edible Academy is needed now more than ever, and surely, it remains a beacon for us in dark times. As a sanctuary for living plants and animals (native wildlife), it reminds us that we must uplift who we are, what we put in our bodies and what we must allow in the broader society. Above all the Garden is a bulwark which encourages us to remember we are interconnected with the earth, and thus, must do our part to help our human, plant and animal communities thrive.

(L to R): Outgoing CEO and NYBG President Gregory Long, NYC Mayor Bill de Blasio, Chairman of the Board Maureen K. Chilton, Dedication of the Edible Academy, June 14, NYBG (Carole Di Tosti)
To these ends, The Edible Academy expansion is money well spent especially for New York City children. The area around NYBG has one of the highest rates of food insecurity in the nation. Many do not have access to fresh, affordable fruit and vegetables. Indeed, as a result there are high rates of obesity-related ailments. However, there is good news. Extensive research has shown that children who plant and harvest their own produce develop important life skills as they shop, prepare and cook their meals with wisdom. And they are more likely to eat healthful fresh fruits and vegetables and cook meals “from scratch” because the food flavors are incredible.

NYC Mayor Bill de Blasio (center) with Chairman of the Board Maureen K. Chilton and donors of the Edible Academy, Opening Day Ceremonies, June 14, NYBG (Carole Di Tosti)
As a measure of the support for the importance of the NYBG mission, Garden leaders, government officials, corporate and foundation donors and dozens of Bronx schoolchildren showed up on June 14, 2018 to celebrate the opening of the Edible Academy’s momentous occasion. The Academy, which has been in the physical works for about eighteen months, has been in conceptualization for years. “We have long dreamed of expanding the Ruth Rea Howell Vegetable Garden,” said Maureen K. Chilton, Chairman of the NYBG Board of Trustees, who added, “With the opening of the Edible Academy, we will now be able to offer even more educational resources, impacting the lives of countless children as they learn about gardening, plant science and healthful living.”

NYC Mayor Bill de Blasio cuts the ribbon in the Opening Day Ceremony dedicating the Edible Academy, NYBG, Opening Day Ceremonies, June 14 (Carole Di Tosti)
Mayor Bill de Blasio, NYC Cultural Affairs Commissioner Tom Finkelpearl, Bronx Councilmember, Ritchie Torres, New York State Senator, Jeffrey D. Klein, NY State Assembly Speaker Carl E. Heastie, NYC Council Speaker Corey Johnson and other officials were present as Mayor de Blasio cut the ribbon and opened the ceremony dedicating the expansion. Mayor de Blasio affirmed that the City of New York provided $8.6 million for the Edible Academy through the Department of Cultural Affairs. And through the leadership of the NYS Senate and Assembly, the Edible Academy received $2.5 million.

Student presenting the first harvest in the dedication of the Edible Academy. Mayor de Blasio speaks to another student behind the podium who presented his basket. Present with the Mayor are Commissioner of the NYC Department of Cultural Affairs Tom Finkelpearl, Gregory Long, Dr. Carrie Barratt, Maureen K. Chilton, William D. Rueckert-President of the Cleveland H. Dodge Foundation

Ruth Rea Howell Vegetable Garden is a collection of three gardens, Green Thumb Garden, Global Garden, Children’s Gardening Program Garden, Edible Academy, NYBG (Carole Di Tosti)
Mayor de Blasio along with other speakers identified the importance of the Edible Academy to influence generations. He stated, “Though New York City offers students access to parks, cultural institutions, and educational experiences unlike anywhere else, opportunities to learn about agriculture in our urban jungle can be a little harder to find.” And he added, “Now, more children, educators and families can use this extraordinary resource to better understand the connections between diet, well-being and the stewardship of our planet.”

Italian Garden, Edible Academy, NYBG (Carole Di Tosti)

Caribbean Garden, Edible Academy, NYBG (Carole Di Tosti)
That Mayor de Blasio has a heart for children not only was evidenced here at the opening of the Edible Academy. Some days later the Mayor found out like the rest of us through fine investigative journalism that immigrant children were being separated from families in the President’s new Zero Tolerance Policy at our Southern Border. Housed in cages, sleeping on concrete, not knowing where their parents were, some were flown in secret at night to New York City shelters unbeknownst to city or state officials.

Global Garden, Edible Academy, NYBG. After the ceremonies guests had lunch at the Solar Pavilion (Carole Di Tosti)
After the Mayor and Governor Cuomo flew to the border, apprised the situation and came back to the city, some of the children were located in Harlem and increased services were provided. On the news Mayor de Blasio and others stated that the number of children in New York City, once thought to be 239 was now hovering around 600 for those at a Daytime facility. Most probably, the WH administration has had immigrant children flown to other areas of New York City, perhaps even the Bronx. Thus, in the upcoming months, the Garden and the Edible Academy may offer a measure of encouragement and support if such children over the years find their way to the doors of the Edible Academy.

The Susan P. and Coley Burke Amphitheater beyond the greenhouse, Edible Academy, NYBG, Opening Day Ceremonies June 14 (Carole Di Tosti)
Before you visit the Academy, read up on the innovative and sustainable design elements to appreciate the buildings set into the farm-like setting. The campus includes a green roof for the classroom building, geothermal wells for heating and cooling, a freestanding solar pavilion to help power the facility, and composting toilets. Of course all are designed to minimize the environmental impact of the facility and support one of the largest educational gardening programs in the US. These sustainability features meet the criteria for certification as a Leadership in Energy and Environmental Design (LEED) Gold Project. What an amazing learning facility for NYC children which is in keeping with New York State’s philosophy to affirm the 2015 Paris Climate Agreement despite its rejection by the current WH administration.
There is so much to see and do at NYBG, you will need to make a number of visits during each of the year-round exhibits (Holiday Train Show, Orchid Show, Rose Garden, Spring blooms: azealas, daffodils, lilacs, Summer Concerts, Fall Pumpkin Weekend, etc.) and activities. If you have kids, they will love the Edible Academy and the Everett Children’s Adventure Garden which has seasonal, year-round events and fun programs. Certainly, a Garden family membership will pay itself off many times over and comes with additional free parking.

Heliconia, Crab’s Claw Ginger, 1939, Oil on Canvas, collection of Sharon Twigg-Smith, Georgia O’Keeffe, NYBG’s Exhibit, ‘Georgie O’Keeffe: Visions of Hawai’i’ (photo taken at the Luesther T. Mertz Library Art Gallery by Carole Di Tosti)

The real Heliconia Crab’s Claw Ginger at the Enid A. Hapt Conservatory, NYBG Exhibit ‘Georgia O’Keeffe: Visions of Hawai’i’ (Carole Di Tosti)
Currently, the main exhibit, Georgia O’Keeffe’s Visions of Hawai’i (through October 28th) makes its home in the Enid A. Haupt Conservatory, at the Luesther T. Mertz Library and Art Gallery and elsewhere in the Garden. At the Art Gallery you will see gorgeous paintings inspired by plants and scenic vistas from Georgia O’Keeffe’s commissioned journey to Hawai’i. Look for outdoor installations by contemporary Hawaiian-Chinese sculptor Mark Chai, inspired by the forms of the plants that O’Keeffe encountered while visiting the exotic paradise.

Installation by sculptor Mark Chai, NYBG Exhibit ‘Georgia O’Keeffe: Visions of Hawai’i’ (Carole Di Tosti)
And take a tram ride to the Edible Academy and spend time investigating the campus. You will enjoy the Ruth Rea Howell Vegetable Garden (three gardens), the Classroom Building (with a demonstration kitchen classroom), the greenhouse, the Pauline Gillespie Gossett Overlook Pavilion (you see the Bronx River), the Susan P. and Coley Burke Ampitheater, the Solar Pavilion, the Wamsler Phillips Plant Nursery and much more.
For Garden programming, CLICK HERE. For membership CLICK HERE. For the Summer Concert Series CLICK HERE. If you have never been to the NYBG you are missing a treasure in NYC that you cannot divine until you visit. It is one of New York City’s hidden gems, a haven and a sanctuary for thousands of visitors and members each year. But do not wait to the last minute of the Georgia O’Keeffe exhibit or any exhibit for that matter. You will be bumping into crowds who want to go one last time to experience the Garden’s wonders.
‘Daniël Ost’s Triumph at The NYBG Orchid Show’

Palms of the World Gallery, 2018 NYBG Orchid Show, Daytime, designed by Belgian floral artist, Daniël Ost (Carole Di Tosti)

Orchid Dancers, 2018 NYBG Orchid Show, ‘Orchid Evenings,’ Daniël Ost, Belgian floral artist (Carole Di Tosti)

Palms of the World Gallery, anterior view, 2018 NYBG Orchid Show, ‘Orchid Evenings,’ Daniël Ost, floral artist (Carole Di Tosti)

2018 NYBG Orchid Show (daytime) Daniël Ost, Palms of the World Gallery (Carole Di Tosti)

Orchid Dancer, 2018 NYBG Orchid Show, ‘Orchid Evenings,’ Daniël Ost, Belgian floral artist (Carole Di Tosti)

Detail, Palms of the World Gallery, 2018 NYBG Orchid Show (daytime) Daniël Ost (Carole Di Tosti)

Palms of the World Gallery (daytime, detail) 2018 NYBG Orchid Show, Daniël Ost (Carole Di Tosti)
Dutch floral artist Daniël Ost is world renowned. No stranger to Europe or Japan, Ost’s large-scale sculptures have been likened to Anish Kapoor, Claes Oldenburg and Andy Goldsworhy. If you google any of these individuals and Ost and check out their websites, you will be astounded at their botanical artistry of beauty, light and grace. Indeed, in Belgium where Ost grew up and initially trained, he has been referred to as “the Picasso of flower arranging.” And France hails him as “the international star of floral decoration.”

2018 NYBG Orchid Show, ‘Orchid Evenings,’ Daniël Ost, Belgian floral artist (Carole Di Tosti)

Detail, 2018 NYBG Orchid Show, ‘Orchid Evenings,’ Daniël Ost, Belgian floral artist (Carole Di Tosti)

Detail, 2018 NYBG Orchid Show, ‘Orchid Evenings,’ Daniël Ost, Belgian floral artist (Carole Di Tosti)

2018 Orchid Show, ‘Orchid Evenings,’ Belgian floral artist, Daniël Ost (Carole Di Tosti)

2018 Orchid Show, ‘Orchid Evenings,’ Daniël Ost (Carole Di Tosti)
While those in the United States may not be familiar with Ost’s brilliance others might because of their network of friends and their extensive travel. However, those in the multi-million dollar flower industry and those staff, botanists, horticulturalists who make their work homes in global botanical gardens know of Ost’s reputation. The New York area is fortunate to witness Ost’s magnificent living floral designs at the New York Botanical Garden Orchid Show until 22 April.. His installations are one-of-a-kind spectaculars that take your breath away.

2018 NYBG Orchid Show, ‘Orchid Evenings,’ Daniël Ost, Belgian floral artist (Carole Di Tosti)
It is a rare opportunity to see Ost in “living color.” And unfortunately, his botanical showcase at the New York Botanical Garden will only remain until next week. As for Orchid Evenings? There are only three evenings left after tonight.

2018 NYBG Orchid Show, ‘Orchid Evenings,’ Daniël Ost (Carole Di Tosti)
Whether you see them in the main galleries of the Enid A. Haupt Conservatory in the daytime or in the evening, you will note how the changing light impacts the elements used to encapsulate the exotic delicacy of the thousands of orchids Ost and his team selected for the annual Orchid Show displays.

2018 NYBG Orchid Show, ‘Orchid Evenings,’ Daniël Ost (Carole Di Tosti)
Unlike other designers commissioned for various NYBG shows, Ost took a hands-on approach to his installations. He traveled back and forth to the Nolen Greenhouses to specifically select a multitude of orchids and companion plants based upon their color, size, form, texture, delicacy, hardiness and more. His vision for each of his installations he effected with the assistance of his team Marco and Damien (both from Belgium) and the NYBG staff and Marc Hachadourian.

Cymbidium, 2018 NYBG Orchid Show, ‘Orchid Evenings,’ Daniël Ost (Carole Di Tosti)

2018 NYBG Orchid Show (daytime detail) Daniël Ost (Carole Di Tosti)
Marc is the Director of The New York Botanical Garden’s Nolen Greenhouses for Living Collections. He is the main orchid curator who assiduously watches over the plants under his care. For Marc to give Ost free reign in the greenhouses indicates the level of respect both men have for each other in their passion and dedication to plants and flowers. During the weeks that Ost and his team spent in the Bronx working labor intensive lengthy days to scale up the thousands of orchids of myriad varieties with their lively companion counterparts (crotons, draceana, ferns, palms, ficus, etc.) they closely bonded with the staff.

2018 NYBG Orchid Show, Daniël Ost (Carole Di Tosti)
On the Press Day I visited, I spoke with Daniel and Damien. And both mentioned that despite the amazing pressure of their schedule, they loved the Garden and were thrilled with the array of plants they were able to employ in their unique installations.

Vandas, detail, 2018 NYBG Orchid Show (daytime) Daniël Ost (Carole Di Tosti)
Damien assured me the clear plastic tubing, a trending element of floral design that reflected the light and cohered with the glass of the Enid A. Haupt, was a medium that best suited individualizing each orchid variety and color Daniel selected. One only has to view the monumental and glorious sculpture in the Palms of the World Gallery to understand how. Trained by Noboru Kurisaki, a prominent grand master of Ikebana, Ost learned from him that a single flower used the right way can have more impact than thousands of flowers bound together en masse.

2018 NYBG Orchid Show (daytime) Daniël Ost (Carole Di Tosti)
You will not find walls of the same colors or types of orchids clumped together in a wall. Instead, every orchid variety is surrounded by a distinct and particular other orchid variety. What does thread together in minute details is a similitude and harmony of color. And then when you think you have picked out the harmonious hues, you discover that there are multitudes of contrasts.

2018 NYBG Orchid Show, Daniël Ost (Carole Di Tosti)
The orchid selection brought the teams to configure the largest orchid display ever used for any of the NYBG Orchid Shows. That alone is amazing when you understand that Ost and the teams made sure to individualize each orchid from its brothers. What do remain in greater combinations of the same plants are the companion plants. But these have been selected to highlight and emphasize the vast varieties of color, shape and orchid forms.

2018 NYBG Orchid Show, Daniël Ost (Carole Di Tosti)
Phalaenopsis (moth orchid), Vandas, Miltonia, Cymbidium, Cattleya, Dendrobium, Paphiopedilum, Oncidium (dancing-lady), Brassia, Odontoglossum are some of the varieties. The orchids in the show span from those that are rare which you will see in the glass case, the Garden’s permanent collection. Whether shipped in from tropical climes, or raised in the Nolen greenhouses, whether popular pinks and fuschias, or the multi-faceted, multi-hued hybrids, the diversity of plants is amazing.

2018 NYBG Orchid Show, Daniël Ost (Carole Di Tosti)

2018 NYBG Orchid Show, Daniël Ost (Carole Di Tosti)

2018 NYBG Orchid Show, Daniël Ost (daytime detail) (Carole Di Tosti)

2018 NYBG Orchid Show, Daniël Ost (Carole Di Tosti)
Thus each orchid in the show has its own defined space, its roots either allowed to hang down or placed within a moss medium so they might thrive as their variety would in the wild. This is especially manifest and clearly seen in the Palms of the World Gallery and in the walkway of the seasonal gallery as one saunters up to the 360 degree showpiece gallery of the conservatory whose permanent plants spiral upward 100 feet or more to the domed ceiling.

2018 NYBG Orchid Show, ‘Orchid Evenings,’ Daniël Ost (Carole Di Tosti)

2018 NYBG Orchid Show, ‘Orchid Evenings,’ Daniël Ost (Carole Di Tosti)

2018 NYBG Orchid Show, ‘Orchid Evenings,’ Daniël Ost (Carole Di Tosti)
In this particular gallery, Ost and his team used green bamboo in a circular round which mirrors the lattice work of the Enid A. Haupt. The bamboo and the tubing are at meet and are employed together in the passageway leading to either domed space.

2018 NYBG Orchid Show, ‘Orchid Evenings,’ Daniël Ost (Carole Di Tosti)
Thus, at either end the larger galleries of the Enid A. Haupt manifest their own design akin to their structure. Thus, Ost’s vision in employing these implements for the installations represent a celebration of the architecture of the conservatory. Indeed, function and design whimsically become one. And the elements used to reflect Ost’s vision serve as the platforms upon which the orchids shimmer with vibrancy, magnificence, singularity and loveliness.

Orchid Dancer, 2018 NYBG Orchid Show, ‘Orchid Evenings,’ Daniël Ost (Carole Di Tosti)
Words and photos cannot do justice to viewing the theatrical horticultural spectacular in all its vivacity. You must see it for yourself. However, here are more photos which will reveal the amazing installations in the daytime and evening “light” motifs.
There is programming surrounding the 2018 Orchid Show. Saturday, April 14 is an Orchid Evening which begins at 6:30 pm and lasts until 9:30 pm. The Garden is mysterious and exotic in the evenings. The Enid A. Haupt is transformed to an ethereal, romantic tropical setting where anything seems possible.
The show ends on 22nd of April. Next weekend is the last Orchid Evening of the season. Best to get tickets for the weekend immediately. With the nicer weather, the crowds show up and the tickets sell out. You will be glad you didn’t miss Daniël Ost’s splendid vision for orchids at this year’s show. For all programming CLICK HERE.
Chihuly and Pumpkins at New York Botanical Garden’s Fall Weekend

Chihuly Exhibit, ‘Sol de Citron,’ NYBG 2017, Dale Chihuly, Chihuly Nights (Carole Di Tosti)
Last weekend at the New York Botanical Garden was my last time to say goodbye to the Chihuly Exhibit. I have visited the exhibit a number of times, but each time is fresh and different. One reason is because Dale Chihuly’s outdoor sculptures refract and reflect the changes in sunlight during the changing seasons, from spring to fall.

Stunning Chihuly chandeliers at the NYBG Chihuly Exhibit, Dale Chihuly, New York Botanical Garden, Chihuly Nights (Carole Di Tosti)

Dale Chihuly’s art glass for sale in the NYBG Garden Shop, Chihuly Exhibit, NYBG (Carole Di Tosti)

Dale Chihuly’s ‘Macchia Forrest’ (2017), ‘Jazz & Chihuly, Songs of Protest & Reconciliation’ NYBG summer concert series (Carole Di Tosti)

Dale Chihuly’s ‘Macchia Forrest’ (2017), another view, Chihuly Nights, NYBG (Carole Di Tosti)
Another reason is because no matter how closely you look at a piece, you will notice something unique every time. Perhaps it is the way the colors merge into each other on some pieces or the way the glass curves or projects starkly upward. With the sculptures that are housed indoors at the Enid A. Haupt conservatory, for example Macchia Forest, 2017, Chihuly’s vibrant colors startle in multi-colored tulip-shaped cups arising from iron-like stems in the conservatory’s indoor pond and fountain gorgeously arranged with hanging flowering plantings. One could remain there all day or in the evening with a drink during Chihuly Nights. The rich ambience delights and the sounds of water splaying in the fountain soothe. As with all of Chihuly’s sculptures thoughtfully arranged in or around water, the reflections dazzle and enthrall with their multi-dimensional views.

Chihuly Exhibit, ‘Sapphire Star,’ 2010, NYBG 2017, Dale Chihuly (Carole Di Tosti)

‘Dale Chihuly’s ‘Sapphire Star’ 2010, NYBG 2017, Chihuly Nights (Carole Di Tosti)
I will sorely miss this exhibit which stirs the imagination toward infinite and graceful fantasies that one conjures up in brilliant dreams. I have become used to catching the falling sunlight at dusk as it stirs the effervescence and evolving, sparkling, deep blue, shimmering hues on Sapphire Star 2010, NYBG 2017 amidst the darkening shadowy green of the landscape and deepening black shapes of the trees. Sapphire Star 2010, installed at NYBG 2017 is my favorite. I enjoyed seeing it in high noon brilliance or in the surrounding darkness enhanced with a few ground lights along the Garden path that is out of the Chronicles of Narnia. My imagination runs wild. And if I were indeed alone without anyone near me, I would expect a unicorn or centaur to jump out from behind a tree and admiringly gaze at this groundling star whose other-worldy beauty beckons.

Chihuly Exhibit, ‘Float Boat and Koda Studies #1 & 2,’ Chihuly Nights, NYBG 2017 (Carole Di Tosti)

A closer view! Chihuly Exhibit, ‘Float Boat and Koda Studies #1 & 2,’ Chihuly Nights, NYBG 2017 (Carole Di Tosti)

A closer view!! Chihuly Exhibit, ‘Float Boat and Koda Studies #1 & 2,’ Chihuly Nights, NYBG 2017 (Carole Di Tosti)
This past weekend I also strayed beyond the Everett Children’s Adventure Garden to visit the Native Plant Garden where Chihuly’s Float Boat and Koda Studies #1 and #2 herald all that might be accomplished when the creative spirit is allowed to run wild amidst a natural platform. Again, Dale Chihuly combines contrasting shapes, sizes and forms. There are the comforting huge glass balls of every shining hue imaginable displayed in a an oblong vessel held up by a flowing water pond.. In the nighttime, the view widens its depth. Which is is solid? Which is fluid? And indeed physics will explain that both are double images of each other for all contain infinitesimal atoms which spin at incredible speeds and play havoc with what appears to be real but which is something else entirely. A true mind-blast and pageantry of excellence.

Guitar player accompanying our views in the Native Plant Garden, NYBG, Chihuly Nights (Carole Di Tosti)
That evening a guitar player shared his repertoire as we hailed the Chihuly’s Koda Studies # 1 and 2. Chihuly designed these specifically for the exhibit, honoring his original Artpark installation designed with friend Seaver Leslie in Lewiston, New York in 1975. That significant installation launched Dale Chihuly as a glass artisan and he has been flying into glory ever since.

Walking to the Native Plant Garden we encounter spooky pumpkins on the way. NYBG, Chihuly Exhibit, Giant Pumpkin Weekend (Carole Di Tosti)

Spooky pumpkins, NYBG Giant Pumpkin Weekend (Carole Di Tosti)
As we sauntered along the path viewing Chihuly’s muted dark fuschia, red and yellow glass panes pinging off the lengthy water display in the Native Plant Garden, our senses were regaled. The native grasses, wild herbs, shrubs and dying foliage exuded gorgeous aromas released in the humid night air. There was a sense of freedom and exploration I felt. Tell me where else in New York City can one travel safely along landscaped, tree-lined paths in the nighttime breathing clean air with heavenly scents except at a NYBG evening exhibit.

Everett Children’s Adventure Garden, Giant Pumpkin Weekend, NYBG (Carole DI Tosti

Everett Children’s Adventure Garden, Giant Pumpkin Weekend, NYBG (Carole Di Tosti)

Everett Children’s Adventure Garden, Giant Pumpkin Weekend, NYBG (Carole Di Tosti)

Everett Children’s Adventure Garden, Giant Pumpkin Weekend, NYBG (Carole Di Tosti)

Everett Children’s Adventure Garden, Giant Pumpkin Weekend, NYBG (Carole Di Tosti)

Pumpkin grown by the Synders, from Bessemer, Pennsylvania weighs 1,261 pounds, NYBG Giant Pumpkin Weekend (Carole Di Tosti)
During the daytime I walked amongst the still-green trees which are here and there beginning to prepare for fall and winter. I stepped into the fun-filled Everett Children’s Adventure Garden and watched the kids enjoy themselves everywhere they went. The Children’s Garden was packed. The humongous pumpkins patiently sat as children scrambled on top of them and families posed for pictures. Each of the gigantic specimens were record-breakers. (see below for stats) Families sought and found enormous pumpkins, gourds, and squashes – it was also Giant Pumpkin Weekend, and families came to see these incredible natural wonders.

Conquering a record-breaking pumpkin, (2,269 lbs) from England at NYBG Giant Pumpkin Weekend (Carole Di Tosti)

Conquered! Record-breaking pumpkin, (2,269 lbs) from England at NYBG Giant Pumpkin Weekend (Carole Di Tosti)
Kids and parents took pictures standing on them, climbing them, sitting on them, and standing next to them. Giant Pumpkin Weekend, arranged in collaboration with the Great Pumpkin Commonwealth, showed off the growers’ skills at nurturing the hugest (I know that’s not a word), most fantabulous (or that either) pumpkins. Each of these record-breakers from around the world weighed in at more than a ton.
How these pumpkins’ DNA allows them to expand boggles the mind. Importantly, growers come to share how this happens in the growing process during Q&As.
Recapping the record-breakers and their growers for 2017.
This year’s largest pumpkin traveled from Sumner, Washington, bringing with it the North American all-time record. Nurtured by Joel Holland, the “Great Pumpkin” weighed in at 2,363 pounds.
The second-largest pumpkin ever grown came from the United Kingdom, with that country’s all-time record of 2,269 pounds. Ian Paton and Stuart Paton grew this lovely.

Largest squash grown, 2,118 lbs, NYGB Giant Pumpkin Weekend (Carole Di Tosti)
Finally, at the entrance of the Leon Levy Visitors Center you will find the largest squash grown in the world this year. This all-time record-breaker grown by Joe Jutras hails from North Scituate, Rhode Island. It weighs in at 2,118 pounds.

Pumpkins everywhere in the Everett Children’s Adventure Garden, NYBG, Giant Pumpkin Weekend (Carole Di Tosti)

Pumpkins everywhere in the Everett Children’s Adventure Garden, NYBG, Giant Pumpkin Weekend (Carole Di Tosti)

Pumpkins everywhere in the Everett Children’s Adventure Garden, NYBG, Giant Pumpkin Weekend (Carole Di Tosti)
If you missed this annual fun event the weekend of 21-22 October, don’t worry. The display continues through 31 October. And if you can’t make it this year, next year the Garden will be hosting amazing record-breaking specimens again. You know they will be even larger.
Another fun event at the Everett Children’s Adventure Garden involved costumes and goodies. Children dressed in costumes visited the Whole Foods Market® Trick-or-Treat Trail. Since Whole Foods offered the treats, you know they had to be nutritious and delicious. No candy corn could be found anywhere on those Whole Foods Market tables. Additionally, children could decorate a bag to collect their goodies, which included a “children’s sized” baby spider plant anxious to receive a new home.

Reptile wrangler with Sheldon a beautiful turtle, NYBG, Creepy Creatures of Halloween, Everett Children’s Adventure Garden (Carole Di Tosti)

Petting Skittles the milk snake, Everett Children’s Adventure Garden, NYBG (Carole Di Tosti)

Petting Wilma a very sweet and popular lizard, Everett Children’s Adventure Garden, NYBG (Carole Di Tosti)
One event I particularly enjoyed took place at the Clay Family Picnic Pavilions. Kids and parents came curious to see what creepy, spooky creatures of Halloween might crawl around, fly, or calm down to be petted. The live animal presentation revealed interesting reptiles from everywhere, perhaps even some backyards upstate or in the South.
In the photos are the popular Wilma, a lizard who sustained the children petting her with peace and calm, and Skittles the milk snake who also was petted by the children and remained peaceful throughout. One can see the various creatures Saturdays and Sundays, 1 & 3 p.m. until 29 October.

A Chihuly piece for sale in the NYBG Garden Shop, Chihuly Exhibit, NYBG (Carole Di Tosti)
The New York Botanical Garden contains a fabulous and beautiful world of treasures for everyone. If you can catch the Chihuly Exhibit during the day, you will be thrilled. Unfortunately, tickets to Chihuly Nights have been sold out for the last week. However, if you go during the day over the weekend, make sure to get there early. The parking is limited. And even if it is a bit colder, New Yorkers and out-of-towners want to take a last breathtaking look at the NYBG Chihuly exhibit before it leaves. Thankfully, I took many pictures in remembrance. When winter approaches in earnest in New York City, I will look back at this article and my pictures in fond remembrance.
For events at the NYGB, CLICK HERE.
‘Jazz and Chihuly, Songs of Protest & Reconciliation,’ New York Botanical Garden Summer Concert Series

Damien Sneed and musicians in ‘Jazz & Chihuly, Songs of Protest & Reconciliation’ at the New York Botanical Garden (Carole Di Tosti)
Considering the Charlottesville, Virginia August 11th incidents and the tragic loss of one woman’s life, up through the president’s press conference of Tuesday, August 15th, these days of August have been tumultuous and divisive. Indeed, taking a stand to uphold human rights and decry hate groups that seek mainstream political power appears to be more vital than ever as protest marches this past weekend indicate. Symbolic action, whether it is through protest demonstrations or concerts is a reminder to all that Love trumps Hate. A great majority of Americans are committed to upholding the sanctity of every life, regardless of race or religion.

Chihuly sculptures (“Koda Study No. 3”) in the New York Botanical Garden water lily and lotus pond backdropped by the Enid A. Haupt Conservatory, after the summer concert series, ‘Jazz & Chihuly, Songs of Protest & Reconciliation’ with Damien Sneed, and his ensemble and guest Keyon Harrold (Carole Di Tosti)

NYBG Palms of the World Gallery, Chihuly’s ‘Persian Pond and Fiori’ (2017), ‘Jazz & Chihuly, Songs of Protest & Reconciliation’ New York Botanical Garden summer concert series (Carole Di Tosti)

Detail, Chihuly’s ‘Persian Pond and Fiori’ (2017), ‘Jazz & Chihuly, Songs of Protest & Reconciliation,’ New York Botanical Garden summer concert series (Carole Di Tosti)

Detail, NYBG Palms of the World Gallery, Chihuly’s ‘Persian Pond and Fiori’ (2017), ‘Jazz & Chihuly, Songs of Protest & Reconciliation,’ New York Botanical Garden summer concert series (Carole Di Tosti)
Serendipitiously, the final summer concert series at the New York Botanical Garden on Friday, 18 August was a majestic reminder of this citizen commitment. Despite the threatening thunderstorm and intermittent periods of rain throughout the day, the turnout to embrace Jazz and Chihuly, “Songs of Protest & Reconciliation” was overwhelming.

Damien Sneed, ‘Jazz & Chihuly, Songs of Protest & Reconciliation,’ New York Botanical Garden summer concert series (Carole Di Tosti)

The audience for ‘Jazz & Chihuly, Songs of Protest & Reconciliation’ the concert series at the New York Botanical Garden (Carole Di Tosti)
The tent was packed with a diverse crowd who were there to enjoy the all-star musical group led by award-winning pianist and vocalist, Damien Sneed, guest trumpeter Keyon Harrold and the other prodigiously talented musicians and vocal artists. Together, these individuals presented an evening of entertainment that was poignant and joyful. And after joining with them in celebrating some of the best songs created by greats of jazz, soul, gospel and contemporary music (including two composed by Damien Sneed), the audience was sent out into the night sans rain to appreciate the luminous Chihuly sculptures presented throughout the grounds and in the Enid A. Haupt Conservatory.

Dale Chihuly’s “Red Reeds on Logs” (2017) part of the special concert series ‘Jazz and Chihuly, Songs of Protest & Reconciliation’ at the New York Botanical Garden (Carole Di Tosti)

“Sol del Citron” at ‘Jazz & Chihuly, Songs of Protest & Reconciliation’ New York Botanical Garden summer concert series (Carole Di Tosti)

‘Dale Chihuly’s ‘Sapphire Star’ ‘Jazz & Chihuly, Songs of Protest & Reconciliation’ New York Botanical Garden summer concert series (Carole Di Tosti)

Chihuly’s ‘Scarlet and Yellow Icicle Tower’ (2017), ‘Jazz & Chihuly, Songs of Protest & Reconciliation’ New York Botanical Garden summer concert series (Carole Di Tosti)
This final concert in the summer series was co-produced by the Catskill Jazz Factory and Absolutely Live Entertainment. The Catskill Jazz Factory encompasses a dynamic jazz program whose mission is to aid some of the finest young jazz artists with year-round workshops, concerts, residencies and world-class performances in the Hudson Valley. Absolutely Live Entertainment is a festival, tour and concert production company spearheaded by Danny Melnick. Malnick is the Producer of the Newport Jazz Festival and the Artistic Director of Carnegie Halls’ The Shape of Jazz series.

Damien Sneed rouses the crowd at ‘Jazz & Chihuly, Songs of Protest & Reconciliation’ New York Botanical Garden summer concert series (Carole Di Tosti)

Damien Sneed on piano and vocals at ‘Jazz & Chihuly, Songs of Protest & Reconciliation,’ New York Botanical Garden summer concert series (Carole Di Tosti)
Damien Sneed is a master of practically every musical genre and a 2014 recipient of the Sphinx Medal of Excellence honor which is presented annually to emerging Black and Latino leaders in classical music. His facility with jazz, gospel, pop, R & B, opera and musical theater and his work with Aretha Franklin, Wynton Marsalis, Stevie Wonder and Diana Ross have served him in excellent stead.

Ensemble vocalists, ‘Jazz & Chihuly, Songs of Protest & Reconciliation’ New York Botanical Garden summer concert series (Carole Di Tosti)

Damien Sneed and ensemble musicians at ‘Jazz & Chihuly, Songs of Protest & Reconciliation’ New York Botanical Garden summer concert series (Carole Di Tosti)
Sneed facilely shepherded the ensemble of vocalists Chenee Campbell, Anitra McKinney, Djore Nance, Tiffany Stevenson, Matia Washington and musicians Stacy Dillard (saxophone) Corey Wilcox (trombone) Julius Rodriguez (Hammond B3 organ) John Matthew Clark (bass guitar), Mark Clark, Jr. (drums). The songs of protest “I Wish I knew How it Would Feel to Be Free” (Nina Simone), “Oh Freedom,” (African-American spiritual), “Follow the Drinking Gourd (Underground Railroad) and “Freedom (excerpt)” (Duke Ellington) for example, emphasized every individual’s yearning for freedom and what freedom means collectively and personally.

Vocal ensemble, ‘Jazz & Chihuly, Songs of Protest & Reconciliation’ New York Botanical Garden summer concert series (Carole Di Tosti)
During the first half of the evening, an audience member brought up a T-Shirt and draped it on a music stand. The T-Shirt had the logo, “Black Lives Matter.” Her action was spontaneous and unstaged.
Interspersed with these songs of protest were the songs of reconciliation: “Bridge Over Troubled Water” (Simon and Garfunkel), “God Bless the Child, (Billie Holiday & Arthur Herzog, Jr., “Proud Mary,” (John Fogarty), “Is My Living in Vain,” (Twinkie Clark & The Clark Sisters) and more. Each number featured a powerful solo by one of the vocalists. The audience showed their appreciation with standing ovations.

Powerful solo performances by the ensemble garnered standing ovations at ‘Jazz & Chihuly, Songs of Protest & Reconciliation’ New York Botanical Garden summer concert series (Carole Di Tosti)
During the second portion of the evening, Keyon Harrold performed a song he had composed. Harrold presented “When Will The Killing Stop?” as a dedication to Michael Brown and all the young, black men who have been killed for “no good reason.” His playing was at once soulful and poignant, his talent incredible. It is no wonder he has been featured on nearly 100 albums with a wide music range from jazz to R & B, from pop and gospel, to blues and hip-hop.

Keyon Harrold trumpeter at “Jazz & Chihuly, Songs of Protest & Reconciliation’ New York Botanical Garden summer concert series (Carole Di Tosti)

Keyon Harrold, ‘Jazz & Chihuly, Songs of Protest & Reconciliation’ New York Botanical Garden summer concert series (Carole Di Tosti)

(L to R): Damien Sneed, Keyon Harrold, ‘Jazz & Chihuly, Songs of Protest & Reconciliation,’ New York Botanical Garden summer concert series (Carole Di Tosti)
By the conclusion of the evening, the storm and rain had stopped and the audience had been refreshed and uplifted by the development of the program from seeking soul freedom to the process by which that freedom evolves: forgiveness, reconciliation and love.

Dale Chihuly’s ‘Macchia Forrest’ (2017), ‘Jazz & Chihuly, Songs of Protest & Reconciliation’ NYBG summer concert series (Carole Di Tosti)

Chihuly’s ‘White Tower with Fiori.’ central showcase, Enid A. Haupt Conservatory, New York Botanical Garden, ‘Jazz & Chihuly, Songs of Protest & Reconciliation’ summer concert series (Carole Di Tosti)

Dale Chihuly’s ‘Neon 206’ ‘Jazz & Chihuly, Songs of Protest & Reconciliation,’ NYBG summer concert series (Carole Di Tosti)

Lillian Goldman Fountain of Life with Chihuly’s Blue Polyvitro Crystals, ‘Jazz & Chihuly, Songs of Protest & Reconciliation’ New York Botanical Garden summer concert series (Carole Di Tosti)
On this night the evolution was inspired through music and exceptional artistry which united and uplifted a community of jazz, botanical and Chihuly enthusiasts. For audience members it was a clarification of the last few weeks and exemplification of all that is best in human hearts, further embodied by our wonderment at the fantastic, illuminated Chihuly sculptures.
New York Botanical Garden Bar Car Nights

New York Botanical Garden Bar Car Nights: Applied Imagination replicas of 19th century row houses in NYC with a trolley whizzing by (photo Carole Di Tosti)
The New York Botanical Garden is an enjoyable respite and shelter from the storms and stresses of life. Throughout the year their amazing seasonal exhibits which combine spectacular floral shows with art, sculpture, poetry, music, and literary narratives provide a way for one’s soul to rejuvenate and be refreshed to face whatever fate deals next.

At night the NYBG is a magical fairyland where spirit beings materialize and dissolve among the trees and dark shadows, Holiday Train Show, Bar Car Nights ( photos above and below by Carole Di Tosti)
I especially enjoy the New York Botanical Garden’s exhibits during the evening hours. It is then the shadows dissolve through the dancing, twinkling lights draped along tree trunks and foliage, and darkness blends in chiaroscuro with a spotlight of brilliance strategically placed here and there. The humidity and moisture are ripe; the whirring fans cool the air which feels luscious and exotic. It is a faerie landscape where the extraordinary is one with the natural and I almost expect to glimpse out of the corners of my eyes a glorious supernatural figure flash up, float mysteriously then evanesce as a vibrant fuschia phalaenopsis (moth orchid), emerges from behind the creature’s vaporous wake.
Bar Car Nights, the over 21 adult evenings offered during the Holiday Train Show, are particularly whimsical and romantic. As the trains strum exuberantly along the 1/2 mile of track that circles through the three thousand square feet of extended space (added last year), then snakes through the Enid A. Haupt Conservatory coming to rest in the Palms of the World Gallery, the thrill of the Winter season from one’s childhood is recalled. Couples can saunter through the galleries with liquid refreshments for purchase and completely relax. It is an awakening to a simpler, happier time when morose emotions weren’t joggled by news events and chaos was a scientifically theoretical construct, not haphazard human emotions effected by bellicose, maniacal human beings.
The New York BotanicalGarden is an otherworldly place of peace and beauty. All of the volunteers, the staff of Applied Imagination who have created and constructed the beautiful replicas of present and past New York landmarks from natural plant parts, and the permanent Garden staff, receive great delight from knowing how much enjoyment they give to the thousands of visitors who attend the show.
Each year the exhibit manages to be singular. The more than 150 buildings and structures of New York City and upstate New York: Rockefeller Center. Sachs Fifth Avenue (video above) Empire State Building, Morris-Jumel Mansion, Poe Cottage, Olana, Kykuit, The Jewish Museum, New York Public Library, Park Avenue Armory, Yankee Stadium, Senator William Andrews Clark House (demolished right before the depression as too expensive to maintain), Tammany Hall, the National Arts Club, Macy’s, etc., are situated uniquely throughout the conservatory’s lush greenery. It is fun to identify the re-creations and compare them with their originals, which if you haven’t seen or toured (Kykuit, Edgar Allan Poe Cottage, Olana, the Morris Jumel), you will be motivated to do so as an examination of New York State and US history.

Senator William Clark Andrews House had 80 rooms and was prohibitive to maintain-built 1904, demolished 1927, model completed 2006 (photo Carole Di Tosti)

New York Public Library, Stephan A. Schwarzman Building completed 1911, model completed 2015, Holiday Train Show Bar Car Nights (photo Carole Di Tosti)
The likenesses are exceptional considering how the recreations are made with twigs, acorns, rose petals, seeds, gourds, buds, pistachio shells, moss, bark, pine cones, leaves, fruits, etc. In short anything we might throw off on the compost heap, ingenious Applied Imagination botanical artists conceptualize as part of a building edifice or roof and in the case of the cherub sculptures of Kykuit, a prominent body part.

The Jewish Museum 1909 completed, model completed 2004 (photo Carole Di Tosti)
Various years not all of the structures are included; the World’s Fair buildings didn’t appear this year to make way for new additions which are the unique design of Director of Applied Imagination Leslie Salka in collaboration with Founder Paul Busse. The piece de resistance of the Holiday Train Show is the Brooklyn borough’s Coney Island exhibit that shines in the Palms of the World Gallery.

The Brooklyn Bridge leads you into the Coney Island Exhibit, Holiday Train Show, Bar Car Nights, the Palms of the World Gallery (photo by Carole Di Tosti)

Coney Island Exhibit, NYBG Holiday Train Show, Bar Car Nights (photo Carole Di Tosti)

Coney Island replicas Luna Park Arch and Luna Park Tower, behind is the Wonder Wheel from the NYBG Holiday Train Show, Bar Car Nights (photo Carole Di Tosti)

Luna Park Coney Island, behind the Wonder Wheel, to the left in the back is the Elephantine Colossus hotel a memorial to Topsy, NYBG Holiday Train Show, Bar Car Nights (photo Carole Di Tosti)
Several Coney Island structures from previous years (the Galveston Flood Building, the Luna Park Arch, the Luna Park Central Tower, etc.), are included in the exhibit with the new structures and all are situated in the reflecting pool. As you walk under the Brooklyn Bridge, you will see the famous Cyclone, the Coney Island Wonder Wheel and the Elephantine Colossus, the gigantic elephant-shaped hotel from the 1890s that has since burned down.

Replica of The Elephantine Colossus Hotel, Leslie Salka, Director of Applied Imagination’s memorial to Topsy, NYBG Holiday Train Show Bar Car Nights (photo Carole Di Tosti)
Director Leslie Salka was determined to include the hotel to memorialize Topsy, a female Asian elephant, who helped build Coney Island. The innocent Topsy was electrocuted to death by Thomas Edison as a huge draw for the 1903 Luna Park Coney Island exposition. Edison luridly filmed her heinous death, a fact that Michael Daly reveals in his book Topsy.

The beautiful memorial to Topsy captured in the replica of the Elephantine Colossus Hotel at Luna Park in Coney Island which is featured at the Holiday Train Show Palms of the World Gallery (photo Carole Di Tosti taken during Bar Car Nights)
Daly’s book chronicles the story of the elephant’s travails as a pawn first in the greedy hands of a circus competitor of P.T. Barnum and then in the irate claws of Edison. In an article in the New York Daily News about his book, Daly says, “The electrocution was for Edison a means to vent his fury and frustration over his defeat” (with Westinghouse in the war of the currents), “as well as an opportunity to film the first death of any kind.”
Thus, Leslie Salka’s and Paul Busse’s addition of the Elephantine Colossus hotel replica, has a much greater significance than one would imagine upon first glancing at its beauty and ingenious creation from gourds and other plant parts. And Nikola Tesla fans will appreciate this final triumph of Topsy memorialized in the Holiday Train Show. It is a reminder that Thomas A. Edison’s reputation in mainstream history books belies the reality of what and who he really was.

Director Leslie Salka of Applied Imagination who was inspired by Topsy’s story to memorialize the elephant in the replica of The Elephantine Colossus at Luna Park Coney Island, NYBG The Holiday Train Show day time (photo Carole Di Tosti)
The Holiday Train Show plantings always vary as does the placement of the variety of trains which are all G-gauge and include passenger trains, freights, trolleys, novelty cars, streetcars, diesels and locomotives. This year all but one of New York’s bridges reside high above strolling visitors. Trains whiz back and forth over trestles and one imagines what it might be like to be a passenger in miniature looking at the view of the panorama of orchids, cyclamen, hedges, ficus, begonias, palms, sage grass, camelias, and more.

All aboard for the NYBG Holiday Train Show Bar Car Nights at Grand Central Station. Fun Fact: More than 80 million people ride Metro North a year (photo Carole Di Tosti)
For complete New York Botanical Garden Holiday Train Show programming, check their website HERE. Magical Bar Car Nights run the following dates on Fridays and Saturdays: December 2, 3, 16, 17, 23, 30; January 7, 14 from 7 – 10 pm. For family and children’s events (Winter Harmonies Concerts, poetry readings with NYBG poet Laureate Billy Collins and former Vassar College Professor Eamon Grennan, children’s activities-Evergreen Express and “All aboard with Thomas & Friends”) check out the NYBG website or this Blogcritics article for listings.
The Holiday Train Show Bar Car Nights and the entire exhibition are sure to ignite your seasonal spirit and bring joy and vitality to help you usher in the New Year. The show runs until January 16, 2017.
















































































